Practice Studio

Rage Against The Machine - Bombtrack - Guitar Tab

Sections · Loop · Speed · Metronome

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Select a Loop

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End of your loop

Speed Control

Speed
100%

Tools

BPM
Key E minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Capo Advisor 0 E minor · Original key

About Bombtrack


Drop D tuning is the foundation of everything "Bombtrack" asks of you. That lowered sixth string lets Tom Morello power through the song's heavy, palm-muted riff with a thickness that standard tuning simply cannot replicate. The riff itself sits in E minor and moves at a steady 94 BPM, which is approachable enough, but the real challenge is keeping your palm muting tight and consistent while locking in with the groove. Morello's right hand is doing a lot of work here, and any looseness in the muting will muddy the low-end punch the song depends on. Use the Practice Toolbar to loop the main riff slowed down until your picking hand feels completely automatic before you bring it back up to tempo. Rage Against The Machine opened their debut album with this track, and it remains one of the cleaner entry points into their catalog for guitarists learning to play in Groove Metal. Get the muting right first, and the rest follows.

  • The song is played in Drop D tuning, which gives the main riff its low, crushing weight and makes one-finger power chords on the bottom strings easy to execute.
  • Palm muting precision on the low E string is the core technique to practise here, as any inconsistency collapses the tight, percussive feel the riff depends on.
  • At 94 BPM the tempo is moderate, making this a practical song for guitarists building comfort with heavy, groove-oriented riffing before tackling faster material.

How to Play Bombtrack

Tuning: Drop D · Key: E minor · Tempo: 76 BPM

The drop D tuning lets you fret the low power chords with a single finger, which is central to the heavier riffing here. At 76 bpm the slow tempo leaves every note exposed, so timing, vibrato, and dynamics matter more than raw speed.

Loop each section and focus on clean, even timing rather than speed, with the metronome at 76 BPM.

Fender Telecaster
Guitar

Fender Telecaster

Tom Morello uses this 1982 Telecaster for RATM's funkier, cleaner rhythm parts, leveraging its bridge humbucker for articulate muting and percussive attack that cuts through dense arrangements.

Marshall JCM800
Amp

Marshall JCM800

The JCM800's punchy midrange and aggressive natural clipping deliver RATM's signature thick, cutting distortion tone while staying tight enough for Morello's dynamic muting and noise experiments.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Morello exploits this wah pedal extensively for funk riffs and half-cocked tonal shaping, creating RATM's signature expressive sweeps and rhythmic articulation that define their groove.

Boss DD-3 Digital Delay
Pedal

Boss DD-3 Digital Delay

Morello uses the DD-3 for rhythmic repeats and spatial effects, adding depth and texture to RATM's complex arrangements without muddying the aggressive distortion tone.

MXR Phase 90
Pedal

MXR Phase 90

This phaser adds occasional swirling modulation to Morello's pedalboard, creating subtle psychedelic textures that enhance RATM's experimental moments without overwhelming their heavy rhythm focus.

DigiTech Whammy
Pedal

DigiTech Whammy

The Whammy pedal enables Morello's signature pitch-shifting, octave drops, and squealing harmonics that define RATM's innovative, experimental noise work and solo textures.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)