Practice Studio

Rage Against The Machine - Take The Power Back with tablatures and backing tracks - Guitar Solo Tab

Sections · Loop · Speed · Metronome

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Speed Control

Speed
100%

Tools

BPM
Key D minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Capo Advisor 0 D minor · Original key

About Take The Power Back with tablatures and backing tracks


Drop D tuning is central to everything "Take The Power Back" asks of you. Rage Against The Machine built the track around heavy, syncopated low-D riffs that hit harder precisely because that dropped string gives you a one-finger power chord on the sixth string. At 92 BPM the feel is mid-tempo but deceptively tight: Tom Morello locks in with a funk-influenced rhythm guitar approach rooted in Funk Rock, so every chop and muted strum needs to land exactly with the groove or the whole thing falls apart. The real challenge is keeping your picking hand consistent through the rhythmic stops and starts while your fretting hand shifts between chunky low riffs and upper-register chord stabs. Use the Practice Toolbar to loop the verse riff slowed down until the muting and the syncopation feel automatic. Once you have the rhythm locked, bringing it back up to full tempo will feel natural rather than forced.

  • Drop D tuning is essential here, letting you play heavy single-finger power chords on the sixth string that drive the song's low-end riff.
  • The main riff sits at 92 BPM with strong funk-influenced syncopation, so precise right-hand muting and rhythmic accuracy are the core technique to practise.
  • Shifting cleanly between muted low-D riff sections and upper-string chord stabs is the trickiest coordination challenge in the song.

How to Play Take The Power Back with tablatures and backing tracks

Tuning: Drop D · Key: D minor · Tempo: 95 BPM

The drop D tuning lets you fret the low power chords with a single finger, which is central to the heavier riffing here.

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 95 BPM to build it up to tempo.

Fender Telecaster
Guitar

Fender Telecaster

Tom Morello uses this 1982 Telecaster for RATM's funkier, cleaner rhythm parts, leveraging its bridge humbucker for articulate muting and percussive attack that cuts through dense arrangements.

Marshall JCM800
Amp

Marshall JCM800

The JCM800's punchy midrange and aggressive natural clipping deliver RATM's signature thick, cutting distortion tone while staying tight enough for Morello's dynamic muting and noise experiments.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Morello exploits this wah pedal extensively for funk riffs and half-cocked tonal shaping, creating RATM's signature expressive sweeps and rhythmic articulation that define their groove.

Boss DD-3 Digital Delay
Pedal

Boss DD-3 Digital Delay

Morello uses the DD-3 for rhythmic repeats and spatial effects, adding depth and texture to RATM's complex arrangements without muddying the aggressive distortion tone.

MXR Phase 90
Pedal

MXR Phase 90

This phaser adds occasional swirling modulation to Morello's pedalboard, creating subtle psychedelic textures that enhance RATM's experimental moments without overwhelming their heavy rhythm focus.

DigiTech Whammy
Pedal

DigiTech Whammy

The Whammy pedal enables Morello's signature pitch-shifting, octave drops, and squealing harmonics that define RATM's innovative, experimental noise work and solo textures.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)