Practice Studio

Queen - The Show Must Go On - Guitar Solo Tab

Sections · Loop · Speed · Metronome

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Speed Control

Speed
100%

Tools

BPM
Key C minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Innuendo album cover
Innuendo
1991 4:38
Queen Hard Rock 1991 C minor
Capo Advisor 0 C minor · Original key

About The Show Must Go On


Few rock ballads sit quite as heavily as this one, and getting the guitar part to feel right takes more care than it might first appear. At 72 BPM in C minor and E Standard tuning, the tempo is slow enough that every note has to be deliberate and in control, which actually makes lazy technique more exposed, not less. The signature arpeggiated chord work that underpins the verses demands clean left-hand fretting and a steady picking hand to keep the motion even without rushing. Queen built the arrangement around lush layered parts, so on guitar your job is to lock into the song's weight rather than fight it. The lead lines in the chorus and the solo carry real emotional phrasing: the bends and vibrato need to feel unhurried, which is harder than it sounds at this tempo. Use the Practice Toolbar to loop those solo phrases slowed down until the pitch control on every bend is solid, then bring it back up to speed.

  • At 72 BPM in C minor, the slow tempo exposes any inconsistency in your vibrato and string bends, making control the main technical challenge.
  • The arpeggiated chord progressions in the verses are a good exercise in clean fretting across full chord shapes without buzzing or muting adjacent strings.
  • Playing in E Standard tuning means no retuning is needed, but matching the song's heavy, sustained tone rewards using the neck pickup with some added reverb.

How to Play The Show Must Go On

Tuning: E Standard · Key: C minor · Tempo: 72 BPM

Loop each section and focus on clean, even timing rather than speed, with the metronome at 72 BPM.

Vox AC30
Amp

Vox AC30

Brian May stacks Vox AC30s cranked to full volume, letting natural tube breakup and the Top Boost channel create the chimey, harmonically rich overdrive that defines Queen's sound. Driven hard by a treble booster rather than pedal distortion, these amps deliver the compressed, singing tone central to May's signature style.

Boss DD-3 Digital Delay
Pedal

Boss DD-3 Digital Delay

May uses digital delay as a live equivalent to the tape echo (Echoplex) he favored in the studio, adding subtle spatial depth to his solos without cluttering his famously minimal effects chain. The DD-3 provides clean, repeating echoes that complement his vocal-like tone without compromising the directness of his treble booster-driven AC30 sound.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)