Practice Studio

Queen - Hammer To Fall - Guitar Solo Tab

Sections · Loop · Speed · Metronome

Not in tune?

Select a Loop

Start of your loop
End of your loop

Speed Control

Speed
100%

Tools

BPM
Key E minor
PLAY WITH BACKING TRACK
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Queen Hard Rock E minor
Capo Advisor 0 E minor · Original key

About Hammer To Fall


Brian May wrote "Hammer to Fall" as a deliberate return to Queen's hard-driving roots, and you can hear it immediately in that central riff: angular, muscular, and built around E minor in standard tuning at 120 BPM. The main riff sits in a mid-range register and relies on tight palm muting and precise pick attack to get the right chunky, aggressive feel. Getting it to land properly means keeping your fretting hand relaxed between notes so the muted sections stay clean and rhythmically even. May's tone is layered in the recording, so even as a single guitar you want a full, slightly overdriven sound rather than a scooped metal tone. The chorus and pre-chorus transitions are where most players lose their footing, so isolate those sections with the Practice Toolbar and run them slowed down until the position shifts feel automatic. Queen sits comfortably in Hard Rock, but this track specifically rewards anyone working on riff-based rhythm playing with real precision.

  • The signature riff is built around E minor in standard tuning, making it approachable but demanding in terms of pick attack and palm-muting control.
  • At 120 BPM the riff sits at a moderate pace, fast enough that sloppy fretting becomes audible, so use looping it slowed down to build accuracy first.
  • Brian May is known for using a homemade guitar and a sixpence as a pick, which contributes to the bright, textured attack on riffs like this one.

How to Play Hammer To Fall

Tuning: E Standard · Key: E minor · Tempo: 120 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Vox AC30
Amp

Vox AC30

Brian May stacks Vox AC30s cranked to full volume, letting natural tube breakup and the Top Boost channel create the chimey, harmonically rich overdrive that defines Queen's sound. Driven hard by a treble booster rather than pedal distortion, these amps deliver the compressed, singing tone central to May's signature style.

Boss DD-3 Digital Delay
Pedal

Boss DD-3 Digital Delay

May uses digital delay as a live equivalent to the tape echo (Echoplex) he favored in the studio, adding subtle spatial depth to his solos without cluttering his famously minimal effects chain. The DD-3 provides clean, repeating echoes that complement his vocal-like tone without compromising the directness of his treble booster-driven AC30 sound.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)