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Michael Schenker Group - Into the Arena - Guitar Tab

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Michael Schenker Group - Into the Arena - Guitar Tab

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Key ~E minor
Michael Schenker Group - Into the Arena guitar tab video
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Classic Rock

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Live In Tokyo: 30th Anniversary Japan Tour album cover
Live In Tokyo: 30th Anniversary Japan Tour
2010 4:22
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Michael Schenker Group Hard Rock 2010 ~E minor
Capo Advisor 0 E minor · Original key

Into the Arena

"Into the Arena" by Michael Schenker Group is an instrumental showcase track from MSG's debut 1980 album, captured here on the 2010 live release 'Live In Tokyo: 30th Anniversary Japan Tour.' Written after Schenker's departure from UFO, the track highlights his melodic yet aggressive playing style. For electric guitarists, it remains a compelling study in lead phrasing, dynamic control, and the kind of expressive soloing that defined late-70s and early-80s hard rock guitar.

  • "Into the Arena" is a fully instrumental track, making it a pure vehicle for studying Michael Schenker's lead guitar vocabulary.
  • Schenker founded MSG after leaving UFO in 1978 and a brief return to Scorpions for their 'Lovedrive' album.
  • The live 2010 Tokyo version captures the song performed during MSG's 30th Anniversary Japan Tour.
Gibson Flying V
Guitar

Gibson Flying V

Schenker's signature instrument since the 1970s, the Flying V's sharp midrange attack and stock PAF-style humbuckers deliver dynamic, vocal-quality lead tones that cut through the mix. Its comfortable balance and bridge-pickup focus enable his signature blend of cutting rhythm work and soaring solos with excellent note separation.

Marshall JCM800
Amp

Marshall JCM800

Pushed hard into natural power-tube saturation, Schenker's JCM800 creates his iconic thick, punchy overdrive without relying on distortion pedals. Controlled via guitar volume knob dynamics and pick attack, the cranked Marshall head paired with Celestion-loaded cabs generates the raw, responsive tone central to MSG's classic heavy rock sound.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Though Schenker rarely uses effects, the Cry Baby appears on select solos to add expressive vocal quality and movement to his leads. Used sparingly and surgically, the wah complements rather than defines his tone, underscoring his philosophy that the guitar-to-amp interaction drives his signature sound.

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