Practice Studio

Guns N' Roses - Out Ta Get Me - Guitar Tab

Sections · Loop · Speed · Metronome

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Speed Control

Speed
100%

Tools

BPM
Key E minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Appetite For Destruction album cover
Appetite For Destruction
1987 4:24
Capo Advisor 0 E minor · Original key

About Out Ta Get Me


From the opening seconds, "Out Ta Get Me" hits hard with a raw, palm-muted riff that sets an aggressive, mid-tempo groove at 120 BPM. The whole track sits in Eb Standard tuning, so drop your guitar a half-step before you even think about playing along. The key of E minor gives the riffs a natural, slightly dark aggression that suits the open-position power chord shapes Slash leans on throughout. What trips up most players is the right-hand work: keeping the muted passages tight while transitioning cleanly into the full open-chord hits demands real picking-hand control. Use the Practice Toolbar to loop those transitions slowed down until the dynamic shift between muted and open feels automatic. Guns N' Roses built this track as a straight-ahead Hard Rock engine, and playing it well is really an exercise in rhythm guitar discipline rather than flash.

  • The song is in Eb Standard tuning, meaning every string is tuned down a half-step, so retune before playing along.
  • The core riff relies on tight palm muting that releases into open power chords, making right-hand control the main technical challenge.
  • At 120 BPM the groove is steady enough to practise slowly, so use the Practice Toolbar to isolate the muted-to-open transitions.

How to Play Out Ta Get Me

The song moves through: Intro, Verse, Pre-Chorus, Chorus, Solo, Bridge, Outro.

Tuning: Eb Standard · Key: E minor · Tempo: 120 BPM · Difficulty: Medium

It is played in Eb standard, a half step down, so tune down before you start or every position and bend will sit a half step sharp against the recording. The arrangement runs through 7 distinct sections, and the solo is the steepest jump, so isolate it on its own.

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Slash's weapon of choice, particularly late-'50s specs with mahogany bodies that deliver the thick, singing tone heard throughout 'Appetite for Destruction.' The Les Paul's weight and sustain complement his cranked Marshall, allowing solos to bloom with harmonic richness.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

Offering a slightly different tonal character with a thinner body profile, the Custom gives Slash an alternative voice while maintaining the Les Paul's core warmth and sustain essential to his signature lead sound.

Marshall JCM800
Amp

Marshall JCM800

The split-channel JCM 800 2205 defines Slash's crunch, delivering natural tube saturation and midrange presence without artificial scooping, crucial for maintaining clarity in heavily driven passages.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

Modified 1959 Super Lead amps pushed hard created the iconic raw power and harmonic distortion of 'Appetite for Destruction,' with power tube breakup that shaped GNR's raw, blues-rooted rock sound.

Seymour Duncan Alnico II Pro
Pickup

Seymour Duncan Alnico II Pro

These lower-output Alnico II humbuckers retain dynamic expressiveness even when the Marshall is cranked, producing a warm, slightly soft attack that makes Slash's tone creamy rather than harsh.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Slash's signature SW-95 wah adds vocal expression to solos like 'Civil War' and 'Estranged,' staying true to his minimalist pedalboard philosophy where tone comes primarily from guitar and amp interaction.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)