Practice Studio

Aerosmith - Kings And Queens - Guitar Solo Tab

Sections · Loop · Speed · Metronome

Not in tune?

Select a Loop

Start of your loop
End of your loop

Speed Control

Speed
100%

Tools

BPM
Key E minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Draw The Line album cover
Draw The Line
1977 4:56
Aerosmith Hard Rock 1977 E minor
Capo Advisor 0 E minor · Original key

About Kings And Queens


Sitting in E minor at a steady 120 BPM, "Kings And Queens" is one of the more understated tracks on the 1977 Draw The Line album, and it rewards patient, careful playing rather than flashy technique. The arrangement leans on open-chord voicings and a deliberate, march-like strum feel, so locking in with that pulse is the first real challenge. Keep your E Standard tuning perfectly in tune before you start, since the open low E string rings through a lot of the harmonic foundation and any drift will be obvious. Aerosmith built this one around dynamics, shifting between sparse, restrained passages and fuller, driving sections, so controlling your pick attack matters as much as hitting the right notes. If the transitional chord movements feel rushed, use the Practice Toolbar to loop those sections slowed down until the timing feels natural. Hard Rock playing like this lives and dies by feel, so aim for groove over speed.

  • The song sits in E minor with E Standard tuning, making the open low E string a natural anchor you can lean on throughout.
  • At 120 BPM the feel is march-like and deliberate, so practise with a metronome to keep your strumming locked rather than rushing the transitions.
  • The dynamic shifts between sparse and full sections are the main technical demand, making controlled pick attack and smooth chord changes the key things to drill.

How to Play Kings And Queens

The song moves through: intro and full speed, 60 % speed, bar#8 lick, bars#9-10 lick, bars#9-10 studio version.

Tuning: E Standard · Key: E minor · Tempo: 120 BPM

It is built from a handful of distinct sections, so learn each one in blocks before stringing them together.

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

Joe Perry uses a late-1950s Strat for cleaner, snappier tones on tracks like 'Walk This Way', providing brighter single-coil bite that contrasts with his heavier Les Paul work. The Strat's tonal versatility lets him achieve crisp rhythm parts and articulate lead passages without the thick humbucker warmth.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Perry's 1959 Les Paul Standard, his 'Holy Grail' guitar, delivers the thick, singing sustain and natural harmonic bloom central to Aerosmith's classic rock sound. Its PAF humbuckers respond beautifully to his expressive bending and vibrato technique, especially through cranked Marshalls.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

Perry's Custom Shop Les Paul reissues replicate his vintage instrument's tone with modern reliability, maintaining the smooth, responsive humbucker character that lets his playing dynamics shine through. These guitars are essential for capturing his signature fat lead tone on stage and in the studio.

Gibson ES-335
Guitar

Gibson ES-335

Brad Whitford's semi-hollow ES-335 provides warm, compressed breakup with enhanced midrange that cuts through Aerosmith's thick dual-guitar arrangements. The semi-hollow body's natural resonance adds depth to his rhythm playing when paired with his Marshall and Mesa/Boogie stack.

Marshall JCM800
Amp

Marshall JCM800

Joe Perry's modified JCM800 has been his core amp for decades, delivering natural tube saturation at high volume with a presence-peaked treble that defines Aerosmith's aggressive, sustaining lead tone. The amp's responsiveness to his volume knob control and pickup selection is crucial to his expressive playing approach.

Fender Twin Reverb
Amp

Fender Twin Reverb

Perry uses the Fender Twin Reverb for cleaner studio tones and textures, providing headroom and natural reverb that balances the JCM800's darker aggression. The Twin's clarity preserves his picking precision and note articulation for rhythm parts and cleaner passages.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)