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Aerosmith - Amazing - Guitar Tab

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BPM
Key G major
Aerosmith - Amazing guitar tab video
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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Roll back the gain slightly and pick near the neck for a warmer, more open crunch.
Get A Grip album cover
Get A Grip
1993 5:56
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Aerosmith Hard Rock 1993 G major
Capo Advisor 0 G major · Original key

About Amazing

Few Aerosmith ballads reward close guitar study quite like "Amazing." The song lives in G major at a comfortable 120 BPM in standard E tuning, which means your fretting hand gets no shortcuts from a drop or open tuning. The challenge is not speed but feel: the main guitar parts rely on clean, controlled picking and smooth chord voicings where any hesitation or buzzing note will stand out against the polished production. Joe Perry's lead work leans on melodic phrasing and subtle vibrato rather than shredding, so developing a singing, sustained tone is the real goal. Getting those bends to land in tune, and holding vibrato steady, takes more patience than most beginners expect. Use the Practice Toolbar to loop the solo or any transition passage slowed down until your fingers know exactly where to land before you bring it back up to tempo. Aerosmith built this track as an emotional centrepiece of the album, and the guitar parts serve that mood at every turn. If you enjoy this style, the broader Hard Rock genre has plenty of similarly melodic territory to explore.

  • Played in E standard tuning in G major, the song suits a clean or lightly driven amp tone that exposes every bend and vibrato clearly.
  • The lead guitar phrasing prioritises sustain and melodic restraint, making precise intonation on string bends the key technical focus.
  • At 120 BPM the tempo is approachable, but nailing the slow, vocal-style phrasing without rushing requires deliberate slow-practice repetition.

How to Play Amazing

The song moves through: Intro, Verse 1, Verse 2, Chorus 1, Verse 3, Verse 4, Chorus 2, Interlude, Solo.

Tuning: E Standard · Key: G major · Tempo: 120 BPM · Difficulty: Medium

The arrangement runs through 9 distinct sections, and the solo is the steepest jump, so isolate it on its own.

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

Joe Perry uses a late-1950s Strat for cleaner, snappier tones on tracks like 'Walk This Way', providing brighter single-coil bite that contrasts with his heavier Les Paul work. The Strat's tonal versatility lets him achieve crisp rhythm parts and articulate lead passages without the thick humbucker warmth.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Perry's 1959 Les Paul Standard, his 'Holy Grail' guitar, delivers the thick, singing sustain and natural harmonic bloom central to Aerosmith's classic rock sound. Its PAF humbuckers respond beautifully to his expressive bending and vibrato technique, especially through cranked Marshalls.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

Perry's Custom Shop Les Paul reissues replicate his vintage instrument's tone with modern reliability, maintaining the smooth, responsive humbucker character that lets his playing dynamics shine through. These guitars are essential for capturing his signature fat lead tone on stage and in the studio.

Gibson ES-335
Guitar

Gibson ES-335

Brad Whitford's semi-hollow ES-335 provides warm, compressed breakup with enhanced midrange that cuts through Aerosmith's thick dual-guitar arrangements. The semi-hollow body's natural resonance adds depth to his rhythm playing when paired with his Marshall and Mesa/Boogie stack.

Marshall JCM800
Amp

Marshall JCM800

Joe Perry's modified JCM800 has been his core amp for decades, delivering natural tube saturation at high volume with a presence-peaked treble that defines Aerosmith's aggressive, sustaining lead tone. The amp's responsiveness to his volume knob control and pickup selection is crucial to his expressive playing approach.

Fender Twin Reverb
Amp

Fender Twin Reverb

Perry uses the Fender Twin Reverb for cleaner studio tones and textures, providing headroom and natural reverb that balances the JCM800's darker aggression. The Twin's clarity preserves his picking precision and note articulation for rhythm parts and cleaner passages.

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