Practice Studio

AC/DC - Shoot to Thrill - Guitar Tab

Sections · Loop · Speed · Metronome

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SECTIONS

Select a Loop

Start of your loop
End of your loop

Speed Control

Speed
100%

Tools

BPM
Key E minor
PLAY WITH BACKING TRACK
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

AC/DC Hard Rock 1980 E minor
Capo Advisor 0 E minor · Original key

About Shoot to Thrill


Few rock openings hit as hard as the lurching, syncopated drum and guitar intro to "Shoot to Thrill," and learning to lock into that feel is your first real challenge here. The main riff sits in E minor and leans heavily on open-position power chords, but the rhythm is where most players stumble: AC/DC play behind the beat with a swagger that is easy to hear and surprisingly hard to replicate. Malcolm Young's relentless down-picked rhythm work is the engine of the song, demanding tight palm muting and a relaxed but firm picking arm. Angus's lead lines call for smooth pentatonic phrasing and controlled vibrato rather than speed. Use the Practice Toolbar to loop the intro riff slowed down until the syncopated accents feel natural in your hand before bringing it back up to tempo. Getting the muted chugging sections to breathe properly is what separates a convincing take from a stiff one.

  • The main riff is built on E minor open-position power chords, with the challenge lying in the behind-the-beat rhythmic feel rather than chord complexity.
  • Malcolm Young's rhythm part requires strict down-picking with controlled palm muting, making right-hand endurance a key thing to practise.
  • Angus Young's lead work focuses on pentatonic phrasing with expressive vibrato, prioritising feel and note choice over fast technique.

How to Play Shoot to Thrill

The song moves through: Intro, Verse, Pre-Chorus, Chorus, Interlude, Solo, Break, Outro.

Key: E minor · Tempo: 112 BPM · Difficulty: Medium

The arrangement runs through 8 distinct sections, and the solo is the steepest jump, so isolate it on its own.

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 112 BPM to build it up to tempo.

Gibson SG Standard
Guitar

Gibson SG Standard

Angus Young's 1968 Gibson SG Standard is the foundation of AC/DC's signature tone, its lightweight mahogany body and full upper-fret access enabling his aggressive, fluid lead work. Stock Gibson humbuckers push Marshall Plexi amps into natural tube saturation, giving him the perfect balance of dynamics and crunch without relying on effects.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

The Marshall 1959 Super Lead cranked to full volume is where Angus Young's power comes from, with no master volume control forcing the power tubes to compress and break up naturally. This thick, harmonically rich overdrive defines AC/DC's raw, unprocessed rock tone straight from guitar to amp.

Marshall JTM45
Amp

Marshall JTM45

Angus Young uses the Marshall JTM45 as his primary amp for achieving natural tube saturation at high volumes, where the amp's power tubes generate organic overdrive without any pedal assistance. This minimalist, direct approach captures AC/DC's core sound: pure, uncolored guitar and amp interaction.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)