Practice Studio

AC/DC - Moneytalks - Guitar Tab

Sections · Loop · Speed · Metronome

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SECTIONS

Select a Loop

Start of your loop
End of your loop

Speed Control

Speed
100%

Tools

BPM
Key B major
PLAY WITH BACKING TRACK
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

The Razors Edge album cover
The Razors Edge
1990 3:46
AC/DC Hard Rock 1990 B major
Capo Advisor 0 B major · Original key

About Moneytalks


Few AC/DC tracks nail the band's stripped-back groove better than "Moneytalks," built on a rolling, mid-tempo riff that sits right in the pocket. The riff lives in B major and leans on that classic rhythm feel: tight, palm-muted downstrokes punctuated by open chord stabs. Getting it to breathe the way AC/DC intend means keeping your picking hand relaxed but controlled, resisting the temptation to speed up into the chorus. The chord work is not technically complicated, but the feel demands real discipline. Staying locked to the groove without rushing is harder than it sounds for most players, and that is exactly where newcomers slip. Use the Practice Toolbar to loop the verse riff slowed down until the palm-muted attack and release feel automatic. Once the right hand is confident, work on cleanly nailing the chord transitions at full tempo. The song rewards patience over flash.

  • The main riff is built on B major power chords with palm-muted downstrokes, making right-hand consistency the central challenge.
  • Keeping a locked, unhurried groove throughout the verse is the key technique to practise before attempting the song at full tempo.
  • The rhythm part is approachable for intermediate players, but replicating the tight, punchy tone requires attention to pick attack and muting control.

How to Play Moneytalks

The song moves through: intro, verse, chorus, solo, interlude, outro.

Key: B major · Tempo: 126 BPM

The arrangement runs through 6 distinct sections, and the solo is the steepest jump, so isolate it on its own.

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 126 BPM to build it up to tempo.

Gibson SG Standard
Guitar

Gibson SG Standard

Angus Young's 1968 Gibson SG Standard is the foundation of AC/DC's signature tone, its lightweight mahogany body and full upper-fret access enabling his aggressive, fluid lead work. Stock Gibson humbuckers push Marshall Plexi amps into natural tube saturation, giving him the perfect balance of dynamics and crunch without relying on effects.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

The Marshall 1959 Super Lead cranked to full volume is where Angus Young's power comes from, with no master volume control forcing the power tubes to compress and break up naturally. This thick, harmonically rich overdrive defines AC/DC's raw, unprocessed rock tone straight from guitar to amp.

Marshall JTM45
Amp

Marshall JTM45

Angus Young uses the Marshall JTM45 as his primary amp for achieving natural tube saturation at high volumes, where the amp's power tubes generate organic overdrive without any pedal assistance. This minimalist, direct approach captures AC/DC's core sound: pure, uncolored guitar and amp interaction.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)