Practice Studio

AC/DC - It's a Long Way to The Top - Guitar Tab

Sections · Loop · Speed · Metronome

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SECTIONS

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End of your loop

Speed Control

Speed
100%

Tools

BPM
Key A major
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

AC/DC Hard Rock 1976 A major
Capo Advisor 0 A major · Original key

About It's a Long Way to The Top


Few tracks in Hard Rock put a rhythm guitarist through their paces quite like this one. The backbone of the song is a relentless, driving riff in A major built on power chords and open-string crunch, and the real demand is stamina: keeping that attack consistent at 92 BPM for the full length of the track is harder than it sounds. AC/DC recorded in Eb Standard tuning, so drop your whole guitar a half step before you start or the riff will feel and sound wrong against a recording. The chunky, palm-muted verse sections are worth isolating early, because sloppy muting turns the groove into a wall of mud. Use the Practice Toolbar to loop those muted passages slowed down until your pick hand is locking in cleanly before you bring the tempo back up. Once the rhythm is solid, pay attention to the transitions between the muted riff and the open, ringing chord hits, since that contrast is exactly what gives the song its punch.

  • The song is played in Eb Standard tuning, meaning every string is tuned down one half step from standard E.
  • The main riff relies heavily on palm muting and power chords in A major, making right-hand consistency the key challenge.
  • At 92 BPM the tempo is moderate, but sustaining tight rhythm playing across the full track is a real endurance test.

How to Play It's a Long Way to The Top

The song moves through: Intro, Verse 1, Chorus 1, Bagpipe Solo, Guitar Solo, Verse 2, Chorus 2, Outro.

Tuning: Eb Standard · Key: A major · Tempo: 92 BPM · Difficulty: Medium

It is played in Eb standard, a half step down, so tune down before you start or every position and bend will sit a half step sharp against the recording. The arrangement runs through 8 distinct sections, and the solo is the steepest jump, so isolate it on its own.

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 92 BPM to build it up to tempo.

Gibson SG Standard
Guitar

Gibson SG Standard

Angus Young's 1968 Gibson SG Standard is the foundation of AC/DC's signature tone, its lightweight mahogany body and full upper-fret access enabling his aggressive, fluid lead work. Stock Gibson humbuckers push Marshall Plexi amps into natural tube saturation, giving him the perfect balance of dynamics and crunch without relying on effects.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

The Marshall 1959 Super Lead cranked to full volume is where Angus Young's power comes from, with no master volume control forcing the power tubes to compress and break up naturally. This thick, harmonically rich overdrive defines AC/DC's raw, unprocessed rock tone straight from guitar to amp.

Marshall JTM45
Amp

Marshall JTM45

Angus Young uses the Marshall JTM45 as his primary amp for achieving natural tube saturation at high volumes, where the amp's power tubes generate organic overdrive without any pedal assistance. This minimalist, direct approach captures AC/DC's core sound: pure, uncolored guitar and amp interaction.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)