Practice Studio

Queen - We Are The Champions Pt.1 - Guitar Lesson

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Key C major
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

News of the World (Deluxe Edition) [2011 Remaster] album cover
News of the World (Deluxe Edition) [2011 Remaster]
1977 2:59
Queen Rock 1977 C major
Capo Advisor 0 C major · Original key

About We Are The Champions Pt.1


Few songs sit as comfortably under the fingers as this one, yet playing it well takes real attention to touch and phrasing. "We Are the Champions" is built around a clean, arpeggiated chord progression in C major that feels deceptively simple until you try to match the measured, dignified feel of the original. The chord shapes themselves are not exotic, but the spacing and the way each note rings cleanly demands good left-hand fretting discipline and a relaxed right-hand picking motion. Getting those arpeggios to breathe rather than rush is the real challenge, and if you find yourself hurrying through the changes, use the Practice Toolbar to loop the trickier transitions slowed down until the timing feels natural. Queen recorded the song in 1977, and Brian May's guitar work here is restrained by his standards, which is exactly what gives it weight. Focus on keeping your tone clean and your dynamics controlled throughout.

  • The guitar part centres on arpeggiated chords in C major, so clean fretting and letting each note ring without buzzing is the core technical demand.
  • Brian May's playing here is intentionally restrained, making consistent right-hand dynamics and even pick attack more important than speed or complexity.
  • Practising the chord transitions slowly with the Practice Toolbar will help you lock in the deliberate, unhurried feel the song requires.

How to Play We Are The Champions Pt.1

Key: C major · Tempo: 64 BPM

Loop each section and focus on clean, even timing rather than speed, with the metronome at 64 BPM.

Vox AC30
Amp

Vox AC30

Brian May stacks Vox AC30s cranked to full volume, letting natural tube breakup and the Top Boost channel create the chimey, harmonically rich overdrive that defines Queen's sound. Driven hard by a treble booster rather than pedal distortion, these amps deliver the compressed, singing tone central to May's signature style.

Boss DD-3 Digital Delay
Pedal

Boss DD-3 Digital Delay

May uses digital delay as a live equivalent to the tape echo (Echoplex) he favored in the studio, adding subtle spatial depth to his solos without cluttering his famously minimal effects chain. The DD-3 provides clean, repeating echoes that complement his vocal-like tone without compromising the directness of his treble booster-driven AC30 sound.