Practice Studio

Queen - We Are The Champions Pt.2 - Solo - Guitar Lesson

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Key F major
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Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Queen Rock F major
Capo Advisor 0 F major · Original key

About We Are The Champions Pt.2 - Solo


The guitar solo from "We Are The Champions Pt.2" puts you squarely in F major, and the challenge is less about speed than about phrasing and sustain. Brian May's style leans heavily on melodic bends, vibrato control, and a vocal quality that takes real patience to nail. Every note needs to sing, which means sloppy vibrato or rushed bends will undercut the whole thing. Getting the feel right is actually harder than getting the notes right. Use the Practice Toolbar to loop individual phrases slowed down, so you can hear exactly where each bend resolves and match your pitch carefully before bringing it back up to tempo. Queen built their guitar sound on layered parts and a very deliberate sense of dynamics, so treat each phrase as a complete musical statement rather than a run of notes to get through. Tone matters here too: a clean, slightly compressed sound with natural amp breakup will serve you far better than heavy distortion.

  • The solo sits in F major, so knowing the F major pentatonic and natural minor patterns across the neck will give you the right vocabulary for the bends and runs.
  • Brian May's signature vibrato is wide and controlled, applied from the wrist and arm together, and matching it is the central technical challenge of this solo.
  • Looping the solo slowed down in the Practice Toolbar is especially useful here, as the phrasing has subtle rhythmic placement that is easy to miss at full speed.

How to Play We Are The Champions Pt.2 - Solo

Key: F major · Tempo: 64 BPM

Loop each section and focus on clean, even timing rather than speed, with the metronome at 64 BPM.

Vox AC30
Amp

Vox AC30

Brian May stacks Vox AC30s cranked to full volume, letting natural tube breakup and the Top Boost channel create the chimey, harmonically rich overdrive that defines Queen's sound. Driven hard by a treble booster rather than pedal distortion, these amps deliver the compressed, singing tone central to May's signature style.

Boss DD-3 Digital Delay
Pedal

Boss DD-3 Digital Delay

May uses digital delay as a live equivalent to the tape echo (Echoplex) he favored in the studio, adding subtle spatial depth to his solos without cluttering his famously minimal effects chain. The DD-3 provides clean, repeating echoes that complement his vocal-like tone without compromising the directness of his treble booster-driven AC30 sound.