Practice Studio

Queen - Fat Bottomed Girls - Guitar Lesson

Sections · Loop · Speed · Metronome

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Speed
100%

Tools

BPM
Key E major
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Jazz (Deluxe Remastered Version) album cover
Jazz (Deluxe Remastered Version)
1978 4:16
Queen Rock 1978 E major
Capo Advisor 0 E major · Original key

About Fat Bottomed Girls


Written by Queen guitarist Brian May, "Fat Bottomed Girls" is built around one of his most satisfying rhythm guitar parts: a chunky, driving riff in E major that leans hard on open-string power chords and keeps a relentless forward momentum. The feel is loose and swaggering rather than tight and metronomic, so resist the urge to play it too stiffly. May layers rhythm tracks to create that wide, slightly roaring wall of sound, and matching that thickness live means your right-hand strumming attack and palm muting have to carry a lot of weight. The chord transitions move quickly in places, and the intro riff in particular rewards careful attention to pick angle and muting. If the riff is slipping away from you at full speed, use the Practice Toolbar to loop it slowed down until the movement between shapes is completely automatic. The song sits in E major, which keeps most of the action in guitarist-friendly open-position and low-register territory.

  • The song is written in E major, keeping the main riff in low, open-position territory that suits both electric and rhythm guitar work well.
  • Brian May's signature layered rhythm guitar approach gives the track its wide, full sound, so focus on consistent pick attack to capture that feel.
  • The intro riff relies on palm muting and open-string power chords, making right-hand control the main technical challenge to practise.

How to Play Fat Bottomed Girls

Key: E major · Tempo: 88 BPM

Loop each section and focus on clean, even timing rather than speed, with the metronome at 88 BPM.

Vox AC30
Amp

Vox AC30

Brian May stacks Vox AC30s cranked to full volume, letting natural tube breakup and the Top Boost channel create the chimey, harmonically rich overdrive that defines Queen's sound. Driven hard by a treble booster rather than pedal distortion, these amps deliver the compressed, singing tone central to May's signature style.

Boss DD-3 Digital Delay
Pedal

Boss DD-3 Digital Delay

May uses digital delay as a live equivalent to the tape echo (Echoplex) he favored in the studio, adding subtle spatial depth to his solos without cluttering his famously minimal effects chain. The DD-3 provides clean, repeating echoes that complement his vocal-like tone without compromising the directness of his treble booster-driven AC30 sound.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)