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Jimi Hendrix - Voodoo Child Pt.2 - 1st Solo - Guitar Lesson

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Jimi Hendrix - Voodoo Child Pt.2 - 1st Solo - Guitar Lesson

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Jimi Hendrix - Voodoo Child Pt.2 - 1st Solo guitar lesson video
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Jimi Hendrix Blues Rock E minor
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Voodoo Child Pt.2 - 1st Solo

"Voodoo Child Pt.2 - 1st Solo" by Jimi Hendrix is a landmark electric guitar moment drawn from one of rock's most celebrated improvisational performances. The piece showcases Hendrix's raw blues instincts, expressive whammy bar control, and fluid pentatonic phrasing. For electric guitarists, studying this solo offers a direct path into understanding Hendrix's signature techniques, including string bending, vibrato, and his deeply personal approach to blues-rooted expression.

  • The solo is rooted in blues pentatonic scales, making it an essential study for players developing expressive bending and vibrato techniques.
  • Hendrix's use of the whammy bar throughout this solo is a defining characteristic worth isolating during practice.
  • This performance is widely regarded as one of the finest examples of spontaneous electric guitar improvisation in rock history.
Fender Stratocaster
Guitar

Fender Stratocaster

Hendrix's reversed left-handed Strats with stock single-coils delivered bright, articulate tone with pronounced string separation that sang when driven through cranked tubes. The in-between pickup positions created his signature quack tones, while the volume knob let him dynamically shape fuzz in real time.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

Hendrix pushed the Marshall 1959's power tubes to natural saturation, generating thick, harmonically rich overdrive that became his signature sound. The amp's aggressive breakup complemented his single-coils perfectly, delivering singing sustain without compressing his dynamic touch.

Fender Twin Reverb
Amp

Fender Twin Reverb

In the studio, Hendrix used the Twin Reverb's cleaner headroom to capture sparkling, articulate tones and explore different breakup characteristics than the Marshall. Its built-in reverb added spaciousness to tracks like 'Little Wing' without relying on external effects.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Hendrix treated the Cry Baby as an expressive tone-shaping tool, rocking it rhythmically mid-riff on 'Voodoo Child' rather than just switching it on and off. The pedal's resonant sweep perfectly complemented his fuzz textures and added vocal-like expressiveness to his soloing.

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