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Led Zeppelin - Babe I'm Gonna Leave You - Guitar Lesson

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Led Zeppelin - Babe I'm Gonna Leave You - Guitar Lesson

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Led Zeppelin - Babe I'm Gonna Leave You guitar lesson video
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Led Zeppelin album cover
Led Zeppelin
1969 6:41
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Led Zeppelin Blues Rock 1969 A minor
Capo Advisor 0 A minor · Original key

Babe I'm Gonna Leave You

"Babe I'm Gonna Leave You" is a folk song originally written by Anne Bredon in the late 1950s, later recorded by Led Zeppelin in 1969. The band transformed the piece from its acoustic folk roots into a dynamic electric and acoustic guitar showcase, making it a compelling study in contrast. For electric guitar players, the song offers an excellent opportunity to explore fingerpicked acoustic passages alongside powerful electric bursts, demonstrating how texture and dynamics can define an arrangement.

  • The song was written by Anne Bredon in the late 1950s, though she wasn't credited until 1990 after approaching Led Zeppelin.
  • Joan Baez recorded the first published version in 1962, crediting it as 'traditional', a misattribution that persisted for decades.
  • The track runs approximately 6 minutes and 41 seconds, giving guitarists extended space to study its shifting acoustic and electric dynamics.
Fender Telecaster
Guitar

Fender Telecaster

Jimmy Page's 1958 Telecaster (gifted by Jeff Beck) delivered the bright, spanky single-coil attack that defined Led Zeppelin I's raw, bluesy edge. Its snappy treble cut through the mix on early tracks before Page switched to the warmer Les Paul for the band's heavier sound.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Page's 1959 Les Paul Standard with PAF humbuckers became the sonic backbone of Led Zeppelin from 1969 onward, its warm mahogany body and dynamic unpotted pickups creating the sustain-rich, touch-sensitive tone heard on 'Whole Lotta Love' and 'Black Dog.'

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

While Page primarily used the Les Paul Standard, a Custom's thicker body and tonal characteristics would complement his dynamic playing style, offering similar warmth with potentially enhanced bottom-end punch for Zeppelin's heavier arrangements.

Marshall Plexi (1959 Super Lead)
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Marshall Plexi (1959 Super Lead)

The Marshall 1959 Super Lead Plexi was Page's primary amplifier from Led Zeppelin II onward, cranked past 7 for natural power-tube saturation and natural breakup that responded dynamically to his pick attack and volume knob control.

Vox AC30
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Vox AC30

Page deployed the Vox AC30 in the studio for cleaner, chiming tones and layering textures that added dimension to Led Zeppelin's arrangements, offering a vintage British tone that complemented the Marshall's aggression.

Dunlop Cry Baby Wah
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Dunlop Cry Baby Wah

Page's Vox Cry Baby wah became iconic on 'Dazed and Confused,' its expressive sweep adding vocal-like character to his lead work throughout Led Zeppelin's catalog, integral to the band's psychedelic and blues-rock textures.

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