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Ten Years After - I'd Love to Change the World - Guitar Lesson

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Ten Years After - I'd Love to Change the World - Guitar Lesson

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Ten Years After - I'd Love to Change the World guitar lesson video
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Ten Years After Blues Rock E minor
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I'd Love to Change the World

"I'd Love to Change the World" is a blues rock track by British band Ten Years After, written by guitarist Alvin Lee and released as the lead single from the 1971 album A Space in Time. The song stands out for its fingerpicked acoustic intro that transitions into electric guitar work, making it a rewarding study in blending clean fingerstyle technique with blues rock feel. It remains Ten Years After's only US Top 40 hit, giving it a notable place in early 1970s rock history.

  • Written by Alvin Lee, the song showcases his ability to blend delicate acoustic fingerpicking with electric blues rock guitar.
  • It was Ten Years After's only US Top 40 hit, peaking at number 40 on the Billboard Hot 100.
  • The track appeared on the 1971 album A Space in Time and also reached the top ten in Canada.
Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Alvin Lee occasionally switched to the Les Paul Standard for its thicker body resonance and slightly more aggressive tone, adding tonal variety to Ten Years After's live performances. The Les Paul's natural sustain complemented his fast alternate picking style while offering a darker, more muscular character than his signature ES-335.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

Lee used the Les Paul Custom as an alternative for studio work and live gigs, valuing its premium construction and slightly brighter tonality compared to standard models. The Custom's enhanced electronics allowed him to capture nuanced sustain during his virtuosic soloing passages while maintaining the warm humbucker character essential to his blues-rock attack.

Gibson ES-335
Guitar

Gibson ES-335

The ES-335's semi-hollow body gave Lee controlled feedback and natural sustain perfect for his fast, fluid soloing style, making it his signature instrument throughout Ten Years After's career. PAF-style humbuckers in the guitar pushed Marshall Plexi stacks into thick, singing saturation without needing effects, letting pure playing dynamics shape his iconic tone.

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