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Jimi Hendrix - The Wind Cries Mary Pt.1 - Intro, Verse & Chorus - Guitar Lesson

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Jimi Hendrix - The Wind Cries Mary Pt.1 - Intro, Verse & Chorus - Guitar Lesson

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Jimi Hendrix - The Wind Cries Mary Pt.1 - Intro, Verse & Chorus guitar lesson video
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The Wind Cries Mary Pt.1 - Intro, Verse & Chorus

"The Wind Cries Mary" by Jimi Hendrix is a melodic blues-rock ballad that showcases Hendrix's lyrical and restrained side. Learning the intro, verse, and chorus sections offers electric guitar players a masterclass in expressive bends, smooth chord transitions, and Hendrix's signature use of space and dynamics. It is an ideal study piece for intermediate players looking to develop feel and tone over technical speed.

  • The song features Hendrix's characteristic use of dominant 7th and 9th chords, blending blues and rock harmony.
  • Learning this piece helps develop controlled string bending and vibrato, two essential techniques in the Hendrix style.
  • The intro alone is widely studied in guitar lessons for its balance of melodic phrasing and rhythmic chord work.
Fender Stratocaster
Guitar

Fender Stratocaster

Hendrix's reversed left-handed Strats with stock single-coils delivered bright, articulate tone with pronounced string separation that sang when driven through cranked tubes. The in-between pickup positions created his signature quack tones, while the volume knob let him dynamically shape fuzz in real time.

Marshall Plexi (1959 Super Lead)
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Marshall Plexi (1959 Super Lead)

Hendrix pushed the Marshall 1959's power tubes to natural saturation, generating thick, harmonically rich overdrive that became his signature sound. The amp's aggressive breakup complemented his single-coils perfectly, delivering singing sustain without compressing his dynamic touch.

Fender Twin Reverb
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Fender Twin Reverb

In the studio, Hendrix used the Twin Reverb's cleaner headroom to capture sparkling, articulate tones and explore different breakup characteristics than the Marshall. Its built-in reverb added spaciousness to tracks like 'Little Wing' without relying on external effects.

Dunlop Cry Baby Wah
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Dunlop Cry Baby Wah

Hendrix treated the Cry Baby as an expressive tone-shaping tool, rocking it rhythmically mid-riff on 'Voodoo Child' rather than just switching it on and off. The pedal's resonant sweep perfectly complemented his fuzz textures and added vocal-like expressiveness to his soloing.

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