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Jimi Hendrix - All Along The Watchtower Pt.1 - Intro - Guitar Lesson

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Jimi Hendrix - All Along The Watchtower Pt.1 - Intro - Guitar Lesson

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Jimi Hendrix - All Along The Watchtower Pt.1 - Intro guitar lesson video
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South Saturn Delta
1968 4:01
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Jimi Hendrix Psychedelic Rock 1968 C# minor
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All Along The Watchtower Pt.1 - Intro

"All Along The Watchtower" is a song originally written by Bob Dylan, but Jimi Hendrix's electric guitar interpretation became the definitive version and a landmark in rock history. Hendrix transformed the folk song into a layered, expressive showcase of electric guitar technique, featuring iconic riffs, fluid solos, and inventive use of tone and dynamics. Learning this song offers electric guitarists a deep study in phrasing, vibrato, and how to make a guitar truly sing.

  • Jimi Hendrix's version is widely considered one of the greatest electric guitar performances ever recorded.
  • The intro establishes a signature guitar riff that is immediately recognizable and essential learning for any electric guitarist.
  • Bob Dylan reportedly preferred Hendrix's interpretation of his own song over his original recording.
Fender Stratocaster
Guitar

Fender Stratocaster

Hendrix's reversed left-handed Strats with stock single-coils delivered bright, articulate tone with pronounced string separation that sang when driven through cranked tubes. The in-between pickup positions created his signature quack tones, while the volume knob let him dynamically shape fuzz in real time.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

Hendrix pushed the Marshall 1959's power tubes to natural saturation, generating thick, harmonically rich overdrive that became his signature sound. The amp's aggressive breakup complemented his single-coils perfectly, delivering singing sustain without compressing his dynamic touch.

Fender Twin Reverb
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Fender Twin Reverb

In the studio, Hendrix used the Twin Reverb's cleaner headroom to capture sparkling, articulate tones and explore different breakup characteristics than the Marshall. Its built-in reverb added spaciousness to tracks like 'Little Wing' without relying on external effects.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Hendrix treated the Cry Baby as an expressive tone-shaping tool, rocking it rhythmically mid-riff on 'Voodoo Child' rather than just switching it on and off. The pedal's resonant sweep perfectly complemented his fuzz textures and added vocal-like expressiveness to his soloing.

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