Practice Studio

Jimi Hendrix - May This Be Love - Guitar Lesson

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Key E major
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Are You Experienced album cover
Are You Experienced
1967 3:10
Capo Advisor 0 E major · Original key

About May This Be Love


Tucked toward the end of side one of "Are You Experienced," "May This Be Love" shows a gentler, more reflective side of Jimi Hendrix that guitarists sometimes overlook in favor of his heavier work. The song sits in E major and leans heavily on clean or lightly dressed tone, asking you to play with real touch sensitivity rather than brute force. The chord work is deceptively simple on the surface, but the beauty is in how Hendrix voices his chords and moves between them, so pay close attention to fingering choices and which strings ring openly. There are gentle single-note fills and melodic runs woven between chord changes that reward careful listening before you try to replicate them. Use the Practice Toolbar to loop those transitional fills slowed down until your fretting hand finds the smoothest path. The whole piece is a good reminder that tone control and light picking dynamics are just as worth developing as speed or distortion.

  • The song rewards playing with a clean, touch-sensitive tone, making right-hand picking dynamics and chord voicing the real focus for guitarists.
  • Hendrix weaves melodic single-note fills between chord changes in E major, so isolating those transitions with slowed-down looping is a productive practice approach.
  • The gentle feel of the piece makes it a useful exercise for controlling sustain and avoiding unintentional string noise in open-position chord work.

How to Play May This Be Love

Key: E major · Tempo: 84 BPM

Loop each section and focus on clean, even timing rather than speed, with the metronome at 84 BPM.

Fender Stratocaster
Guitar

Fender Stratocaster

Hendrix's reversed left-handed Strats with stock single-coils delivered bright, articulate tone with pronounced string separation that sang when driven through cranked tubes. The in-between pickup positions created his signature quack tones, while the volume knob let him dynamically shape fuzz in real time.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

Hendrix pushed the Marshall 1959's power tubes to natural saturation, generating thick, harmonically rich overdrive that became his signature sound. The amp's aggressive breakup complemented his single-coils perfectly, delivering singing sustain without compressing his dynamic touch.

Fender Twin Reverb
Amp

Fender Twin Reverb

In the studio, Hendrix used the Twin Reverb's cleaner headroom to capture sparkling, articulate tones and explore different breakup characteristics than the Marshall. Its built-in reverb added spaciousness to tracks like 'Little Wing' without relying on external effects.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Hendrix treated the Cry Baby as an expressive tone-shaping tool, rocking it rhythmically mid-riff on 'Voodoo Child' rather than just switching it on and off. The pedal's resonant sweep perfectly complemented his fuzz textures and added vocal-like expressiveness to his soloing.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)