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Gary Moore - Still Got The Blues Instrumental - Guitar Lesson

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Key Am minor
Gary Moore - Still Got The Blues Instrumental guitar lesson video
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Classic Rock

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Gary Moore Blues Rock Am minor
Capo Advisor 0 Am minor · Original key

About Still Got The Blues Instrumental

Few guitar pieces in the Blues Rock world demand as much expressive control as this one. The entire weight of the song falls on lead playing: there are no vocals to carry the melody, so your phrasing, vibrato, and dynamics have to do all the emotional work. Gary Moore leans heavily on slow, wide vibrato and singing string bends in A minor, and matching that feel is harder than matching the notes. At 95 BPM in E Standard tuning, the tempo is restrained enough that every sustained note is exposed, meaning sloppy intonation on bends has nowhere to hide. The challenge is not speed but control: getting a bend to land perfectly in pitch and then holding it with a vibrato that actually sounds intentional. Use the Practice Toolbar to loop individual phrases slowed down, focusing on one bend at a time until the pitch and vibrato feel natural before moving on.

  • The song sits in A minor with a slow, vocal-style lead approach, so accurate string bends and controlled vibrato matter far more than speed.
  • At 95 BPM in E Standard tuning, the restrained tempo means every sustained note and bend is fully exposed to the listener.
  • Practising with the Practice Toolbar looped and slowed down is especially useful here, since the phrasing relies on subtle timing and expressive nuance.

How to Play Still Got The Blues Instrumental

Tuning: E Standard · Key: Am minor · Tempo: 95 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 95 BPM to build it up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

Gary Moore wielded Fender Stratocasters for his cleaner blues tones, using their glassy single-coil bite to contrast with his Les Paul's fat sustain. The thin, articulate voice let him deliver expressive rhythm work and cutting lead lines without the compressed warmth of humbuckers.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Moore's iconic 'Greeny' Gibson Les Paul Standard with its reversed neck pickup magnet became his signature, delivering dynamic PAF humbucker tone that bloomed into singing sustain when pushed through cranked Marshalls. This guitar defined his ability to achieve violin-like feedback and endless note decay.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

The Gibson Les Paul Custom gave Moore additional options beyond 'Greeny', with standard PAF-style humbuckers in the 7.5–8.5k ohm range providing enough output to drive his Marshalls into natural power-tube saturation without ceramic pickup compression. This guitar delivered the fat, singing tone central to his hard rock era.

Marshall JCM800
Amp

Marshall JCM800

The Marshall JCM800 became Moore's modern workhorse, cranked loud enough to achieve that singing, violin-like sustain where controlled feedback allowed notes to bloom endlessly. The amp's natural power-tube saturation created rich harmonic overtones essential to his fluid, sustaining lead style.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

Gary Moore's early Marshall 1959 Super Lead Plexis were run at volume to generate natural harmonic saturation and responsive, singing sustain that defined his blues-rock foundation. The amp's sensitivity to picking dynamics let his fingers shape tone as much as the guitar itself.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Moore deployed the Dunlop Cry Baby Wah for expressive, soulful lead passages that added vocal-like character to his soaring solos. Though a key tool in his arsenal, it served as seasoning to his core tone rather than the foundation of his sound.

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