Practice Studio

Stevie Ray Vaughan - Texas Flood Pt.3 - Guitar Solo - Guitar Lesson

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Key G minor
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About Texas Flood Pt.3 - Guitar Solo


The third guitar solo section of "Texas Flood" is where Stevie Ray Vaughan really digs into his most expressive playing, and it is the kind of passage that rewards slow, deliberate practice before you attempt it at full tempo. The solo lives in G minor and leans hard on blues phrasing: wide, vocal string bends, heavy vibrato, and rhythmic call-and-response phrases that need to breathe. Vaughan played in Eb Standard tuning, which drops every string a half step and gives his bends a slightly looser, more elastic feel that you want to replicate if you are going for his tone. At 95 BPM the tempo is not fast, but accurate timing behind the beat is what separates a convincing performance from one that feels rushed. Pick out the trickiest bend-and-release phrases and use the Practice Toolbar to loop them slowed down until the pitch and vibrato are solid. In Blues Rock phrasing like this, control of the left hand is everything: speed means nothing if the bends are not hitting the right pitches.

  • Vaughan used Eb Standard tuning across the whole recording, so tune every string down a half step to match his pitch and string tension.
  • The solo relies on wide, slow string bends in G minor pentatonic, where accurate pitch at the top of each bend is the main technical challenge.
  • Practise the vibrato passages looped at reduced speed using the Practice Toolbar, as Vaughan's vibrato is wide and even, not a nervous flutter.

How to Play Texas Flood Pt.3 - Guitar Solo

Tuning: Eb Standard · Key: G minor · Tempo: 95 BPM

It is played in Eb standard, a half step down, so tune down before you start or every position and bend will sit a half step sharp against the recording.

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 95 BPM to build it up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

SRV's heavily worn '63 'Number One' with thick .013-.058 strings and responsive single-coils defined his expressive, dynamic tone. The guitar's worn frets and responsive pickups let him control saturation purely through picking attack and volume knob, a cornerstone of his finger-driven style.

Ibanez Tube Screamer TS9
Pedal

Ibanez Tube Screamer TS9

SRV used the TS9 as a clean boost with minimal drive, maxing the level to push his cranked tube amps into heavier saturation while adding midrange focus. This approach preserved his dynamic control and kept the tone transparent, letting his fingers shape every nuance of sustain and breakup.