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Stevie Ray Vaughan - Texas Flood Pt.4 - Verse 3 - Guitar Lesson

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About Texas Flood Pt.4 - Verse 3


Verse 3 of "Texas Flood" sits deep in the slow, churning feel that makes this song one of the more demanding slow-blues workouts you can take on. In E minor at a deliberately unhurried tempo, the challenge is not speed but control: sustaining fat, vocal bends on the high strings without losing intonation, and keeping your picking hand relaxed enough to let the notes breathe. Stevie Ray Vaughan played with extremely heavy strings and a high action, which is part of why his bends carry so much weight, so expect the physicality of this passage to surprise you even in E Standard tuning. The Blues Rock vocabulary here centres on quarter-tone and full-step bends, vibrato width, and careful phrasing space. Use the Practice Toolbar to loop Verse 3 slowed down and focus on matching the pitch of each bend before worrying about feel. Once intonation is solid, bring the tempo back up and let the groove do the work.

  • The song sits in E minor in E Standard tuning, letting you access open-string resonance to fatten up chord stabs between lead phrases.
  • The core technique demand in this verse is slow, wide vibrato and precisely pitched string bends, both of which reward looping the section slowed down.
  • Vaughan favoured heavy-gauge strings (.013 sets) which adds significant finger pressure to every bend, so lighter strings will change the feel noticeably.

How to Play Texas Flood Pt.4 - Verse 3

Tuning: E Standard · Key: E minor

Use the section loop to isolate a passage and drop the speed to build each section up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

SRV's heavily worn '63 'Number One' with thick .013-.058 strings and responsive single-coils defined his expressive, dynamic tone. The guitar's worn frets and responsive pickups let him control saturation purely through picking attack and volume knob, a cornerstone of his finger-driven style.

Ibanez Tube Screamer TS9
Pedal

Ibanez Tube Screamer TS9

SRV used the TS9 as a clean boost with minimal drive, maxing the level to push his cranked tube amps into heavier saturation while adding midrange focus. This approach preserved his dynamic control and kept the tone transparent, letting his fingers shape every nuance of sustain and breakup.