Stevie Ray Vaughan - Texas Flood Pt.2 - Verse 1 & 2 - Guitar Lesson

Practice Studio

Stevie Ray Vaughan - Texas Flood Pt.2 - Verse 1 & 2 - Guitar Lesson

Sections · Loop · Speed · Metronome

Not in tune?

Select a Loop

Start of your loop
End of your loop

Speed Control

Speed
100%

Tools

BPM
Key E minor
·
–50¢ 0 +50¢
· Tap to start

Your browser will ask for microphone permission.

Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Capo Advisor 0 E minor · Original key

Texas Flood Pt.2 - Verse 1 & 2


"Texas Flood Pt.2 - Verse 1 & 2" by Stevie Ray Vaughan is a study in classic Texas blues guitar playing. The piece focuses on Vaughan's signature style, combining expressive bending, vibrato, and raw tone that defined his approach to the electric guitar. Learning this section is valuable for guitarists seeking to develop blues phrasing, dynamic control, and the emotive vocabulary that made Vaughan one of the most influential electric guitarists of his era.

  • Stevie Ray Vaughan was known for using heavy gauge strings, contributing to his thick, powerful tone on electric guitar.
  • Texas Flood is rooted in the slow blues tradition, making it an ideal vehicle for studying expressive lead guitar techniques.
  • Vaughan's style blends Albert King, Jimi Hendrix, and Freddie King influences, offering learners a rich palette of blues guitar approaches.
Fender Stratocaster
Guitar

Fender Stratocaster

SRV's heavily worn '63 'Number One' with thick .013-.058 strings and responsive single-coils defined his expressive, dynamic tone. The guitar's worn frets and responsive pickups let him control saturation purely through picking attack and volume knob, a cornerstone of his finger-driven style.

Ibanez Tube Screamer TS9
Pedal

Ibanez Tube Screamer TS9

SRV used the TS9 as a clean boost with minimal drive, maxing the level to push his cranked tube amps into heavier saturation while adding midrange focus. This approach preserved his dynamic control and kept the tone transparent, letting his fingers shape every nuance of sustain and breakup.