Practice Studio

Eric Johnson - Steves Boogie Pt.2 - Second Half - Guitar Lesson

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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

About Steves Boogie Pt.2 - Second Half


Boogie playing at 120 BPM in E Standard might sound approachable on paper, but Eric Johnson brings a level of picking articulation and note separation to this kind of material that exposes every sloppy attack. The second half of "Steve's Boogie Pt.2" sits squarely in the Blues Rock tradition, but Johnson's right-hand precision and clean phrasing push it well beyond a simple boogie shuffle. Focus on keeping your pick strokes controlled and even across the strings, because at this tempo any inconsistency in dynamics becomes obvious. The walking bass figures and melodic runs that characterise Johnson's boogie style require your fretting hand to stay relaxed so the notes ring clearly rather than clamping out. Identify the run or turnaround phrase that trips you up most, set up a tight A/B loop on the Practice Toolbar, and work it slowed down until the muscle memory is solid before bringing it back to 120 BPM.

  • E Standard tuning keeps the full resonance of open strings available, which Johnson uses to let certain notes ring while moving up the neck.
  • At 120 BPM the boogie figures demand consistent alternate picking with clean note separation, so right-hand control is the core technical challenge here.
  • Use the Practice Toolbar to slow down any fast scalar or turnaround passages and build accuracy before returning to full tempo.

How to Play Steves Boogie Pt.2 - Second Half

Tuning: E Standard · Tempo: 120 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

Eric Johnson's primary instrument, with vintage single-coils and a rolled-back tone knob that deliver warm, articulate lead tones and dynamic range. His signature model features a 1-meg volume pot preserving high-end clarity, essential for his layered clean and overdriven tones.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Johnson uses original PAF humbuckers on his 1958/1959 model for heavier, mid-rich lead work, providing thicker sustain and compression on songs like 'Cliffs of Dover' when pushed through his Marshall head.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

While not explicitly mentioned in Johnson's primary setup, this model shares PAF humbucker characteristics that would deliver similar thick, creamy lead tones and compressed sustain for heavier passages.

Gibson ES-335
Guitar

Gibson ES-335

Johnson switches to this semi-hollow body for jazzier passages mid-song, its balanced tone bridging his bright Strat clarity and Les Paul warmth for sophisticated, articulate lead work.

Fender Twin Reverb
Amp

Fender Twin Reverb

Johnson's core clean and light-crunch amp, run at volumes 5-6 for shimmering clarity and natural reverb that blends with his Marshall's grit to create his signature layered tone.

Ibanez Tube Screamer TS9
Pedal

Ibanez Tube Screamer TS9

Set with low gain and high level as a clean boost, Johnson's TS9 pushes his amps into natural breakup while preserving the dynamic articulation crucial to his playing style.