Practice Studio

Pink Floyd - Shine On You Crazy Diamond - Guitar Lesson

Sections · Loop · Speed · Metronome

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Select a Loop

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Speed Control

Speed
100%

Tools

BPM
Key G minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Wish You Were Here album cover
Wish You Were Here
1975 13:33
Capo Advisor 0 G minor · Original key

About Shine On You Crazy Diamond


Few guitar pieces demand patience the way "Shine On You Crazy Diamond" does. David Gilmour's opening solo unfolds over a long, slow build in G minor, and the phrasing is everything: those wide, vocal bends and held notes require a light touch with the vibrato arm or a strong finger vibrato, not speed. The nine-part structure means there are distinct sections to learn separately, from the sparse intro to the heavier mid-section riffs, so treat each one as its own exercise. Playing in E Standard at 120 BPM, the tempo itself is not the obstacle. The obstacle is committing fully to the space between notes, resisting the urge to fill silence. Pink Floyd built the whole emotional weight of this track on restraint, and that is the hardest skill to practise. Use the Practice Toolbar to loop Gilmour's opening phrases slowed down, paying close attention to where each bend peaks and how long each note rings before he moves on. Progressive Rock guitar rarely asks for flash, and this song is a clear example of why feel outlasts technique.

  • Gilmour's iconic intro solo relies heavily on slow, wide string bends and sustained vibrato in G minor, prioritising feel over any fast-picking technique.
  • The song is in E Standard tuning at 120 BPM, so technical difficulty comes from phrasing and note choice rather than speed or alternate tuning.
  • There are multiple distinct guitar sections across the nine-part structure, making it practical to learn each passage in isolation before joining them together.

How to Play Shine On You Crazy Diamond

Tuning: E Standard · Key: G minor · Tempo: 120 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

Gilmour's 1969 Black Strat is his primary instrument, offering glassy neck pickup tones perfect for his singing bends and the warm, rounded character that defines Pink Floyd's melodic solos without harsh brightness.

Fender Telecaster
Guitar

Fender Telecaster

This workhorse guitar provided Gilmour with a brighter, more cutting tone for rhythm work and alternative textures, offering the snap and clarity needed for Pink Floyd's diverse sonic palette across studio and live performances.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Gilmour's 1955 Les Paul Goldtop, fitted with original P-90 pickups, delivers the thick, gritty midrange essential for iconic solos like Comfortably Numb's outro, providing tonal weight and sustain that Strats cannot match.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

Though less documented than the Goldtop, this model would offer similar thick, sustained tones with enhanced versatility through multiple pickup switching, supporting Gilmour's need for varied textures within complex Pink Floyd arrangements.

Fender Twin Reverb
Amp

Fender Twin Reverb

Gilmour used Twin Reverbs for their exceptional clean headroom and built-in reverb, creating spacious, shimmering textures that complement his delay-heavy effects chain and define Pink Floyd's atmospheric, three-dimensional soundscapes.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

The Cry Baby opens Gilmour's effects chain, allowing expressive vocal-like phrasing on solos, integral to Pink Floyd's emotional delivery and creating dynamic dynamic tonal sweeps that enhance the band's psychedelic and progressive character.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)