Practice Studio

Eric Johnson - Cliffs Of Dover Pt.1 - Intro - Guitar Lesson

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Key G major
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Classic Rock

Gain6
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Mid7
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Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

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About Cliffs Of Dover Pt.1 - Intro


Few guitar instrumentals demand as much right-hand clarity as the intro to "Cliffs of Dover." Eric Johnson built his reputation on an almost obsessive attention to pick attack and tone, and that comes through immediately in this opening passage. Written in G major and sitting at 120 BPM, the intro feels deceptively relaxed, but nailing the clean, bell-like articulation of each note is where most players struggle. Johnson's picking technique here is precise and economic, so sloppy alternate picking will expose itself fast. The flowing, melodic lines ask you to move smoothly across strings without any note bleeding into the next, which takes real control of both hands. Use the Practice Toolbar to loop just the trickiest string-crossing phrases at a reduced speed, building the muscle memory before bringing it back up to tempo. This is Progressive Rock guitar at its most refined: no distortion to hide behind, just touch and intention.

  • The intro sits in G major at 120 BPM in standard E tuning, so no retuning is needed, but clean fretting hand muting is essential throughout.
  • Johnson's signature tone here relies on a very clean amp setting, meaning any fret buzz or pick noise will be clearly audible in the mix.
  • The main challenge is synchronising both hands precisely across fast string changes, so isolate short two-bar phrases and loop them slowed down to build accuracy.

How to Play Cliffs Of Dover Pt.1 - Intro

Tuning: E Standard · Key: G major · Tempo: 120 BPM

The intro to "Cliffs Of Dover" runs at 138 bpm in G major and alternates between rapid pentatonic runs and lyrical melodic phrases, demanding that you switch fluidly between picked passages and legato hammer-on/pull-off sequences without losing dynamic consistency. The hardest part is maintaining Johnson's characteristically clean articulation through the faster scalar runs, where notes tend to blur together if picking tension is too high. Use the section loop to isolate the transitional moments between the picked and legato phrases, since these handoffs are where most players lose rhythmic placement. Keep your picking hand relaxed and practice the runs at reduced speed first, because Johnson's tone depends heavily on even attack across every note.

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

Eric Johnson's primary instrument, with vintage single-coils and a rolled-back tone knob that deliver warm, articulate lead tones and dynamic range. His signature model features a 1-meg volume pot preserving high-end clarity, essential for his layered clean and overdriven tones.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Johnson uses original PAF humbuckers on his 1958/1959 model for heavier, mid-rich lead work, providing thicker sustain and compression on songs like 'Cliffs of Dover' when pushed through his Marshall head.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

While not explicitly mentioned in Johnson's primary setup, this model shares PAF humbucker characteristics that would deliver similar thick, creamy lead tones and compressed sustain for heavier passages.

Gibson ES-335
Guitar

Gibson ES-335

Johnson switches to this semi-hollow body for jazzier passages mid-song, its balanced tone bridging his bright Strat clarity and Les Paul warmth for sophisticated, articulate lead work.

Fender Twin Reverb
Amp

Fender Twin Reverb

Johnson's core clean and light-crunch amp, run at volumes 5-6 for shimmering clarity and natural reverb that blends with his Marshall's grit to create his signature layered tone.

Ibanez Tube Screamer TS9
Pedal

Ibanez Tube Screamer TS9

Set with low gain and high level as a clean boost, Johnson's TS9 pushes his amps into natural breakup while preserving the dynamic articulation crucial to his playing style.

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