Practice Studio

Stray Cats - Rock This Town - Guitar Lesson

Sections · Loop · Speed · Metronome

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Select a Loop

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Speed Control

Speed
100%

Tools

BPM
Key A major
PLAY WITH BACKING TRACK
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Stray Cats Punk Rock A major
Capo Advisor 0 A major · Original key

About Rock This Town


At 180 BPM in A major, "Rock This Town" is a serious test of right-hand stamina. The signature rockabilly-style guitar work, handled by Brian Setzer, demands tight alternate picking and crisp string muting to keep the driving rhythm from turning into mush at speed. Getting the slap-back feel right means playing slightly behind the beat, which is deceptively tricky when the tempo is this relentless. On top of the rhythm work, the lead breaks call for fluid, single-note runs with a confident country-inflected bend here and there. If the picking hand starts to tense up in those runs, use the Practice Toolbar to loop the passage slowed down until the motion feels relaxed and even. E Standard tuning keeps everything accessible, but do not let that fool you: clean execution at this tempo is the real challenge. Stray Cats brought Punk Rock energy to a vintage rockabilly framework, and you need both the aggression and the precision to sell it.

  • The rhythm part relies on tightly palm-muted alternate picking at 180 BPM, so right-hand control and stamina are the main technical hurdles.
  • Brian Setzer's lead breaks combine single-note rockabilly runs with country-style string bends, requiring a relaxed but accurate fretting hand.
  • Playing slightly behind the beat on the rhythm parts gives the track its swinging, slap-back feel and is worth isolating with looping it slowed down.

How to Play Rock This Town

Tuning: E Standard · Key: A major · Tempo: 180 BPM

Loop the hardest passage and creep the speed up from around 70 percent until it holds at 180 BPM.

Marshall JCM800
Amp

Marshall JCM800

Setzer uses Marshall JCM800s on later recordings for a dirtier, more aggressive tone than his vintage Fender Bassmans, pushing the amp into controllable breakup for harder rockabilly edges while maintaining dynamic pick sensitivity.

Ibanez Tube Screamer TS9
Pedal

Ibanez Tube Screamer TS9

The TS9 serves as Setzer's occasional solo boost, adding controlled overdrive that stacks naturally with the Gretsch's TV Jones pickups for punchy lead tones without losing the snappy high-end clarity essential to rockabilly.

MXR Carbon Copy Analog Delay
Pedal

MXR Carbon Copy Analog Delay

This analog delay recreates Setzer's signature slapback tone, delivering the classic 120-140ms repeat at 40-50% mix that gives Stray Cats records their vintage ambiance while preserving the natural hollowbody resonance.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)