Practice Studio

Stray Cats - Rock This Town - Guitar Lesson

Sections · Loop · Speed · Metronome

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Speed Control

Speed
100%

Tools

BPM
Key A major
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Stray Cats Punk Rock A major
Capo Advisor 0 A major · Original key

About Rock This Town


Few songs demand that a guitarist hit the ground running quite like "Rock This Town." At 180 BPM in A major, the tempo is relentless, and the real challenge is keeping your pick attack clean and consistent while the song drives forward without a moment to breathe. The signature rockabilly riff sits low on the neck and leans hard on rhythmic chunk and dead-note accents, two techniques that feel simple at a glance but expose any sloppiness the moment you push the speed up. Brian Setzer's right hand is doing a lot of work here, combining flatpicking with a loose, swinging attack that owes more to vintage country and rockabilly than to Punk Rock, even if the energy feels that raw. Stray Cats built the whole track on feel, so getting the timing to sit slightly behind the beat is just as important as nailing the notes. Use the Practice Toolbar to loop the main riff slowed down until the dead-note muting is second nature, then gradually bring it back up to tempo.

  • The main riff relies heavily on dead-note muting and rhythmic chunk, core rockabilly right-hand techniques that require precise pick-hand control.
  • At 180 BPM in A major and E Standard tuning, tempo control is the primary hurdle, so practise the riff at half speed before pushing it up.
  • Brian Setzer's playing combines flatpicking with a swinging, behind-the-beat feel, so locking in the rhythmic placement matters as much as the notes themselves.

How to Play Rock This Town

Tuning: E Standard · Key: A major · Tempo: 180 BPM

Loop the hardest passage and creep the speed up from around 70 percent until it holds at 180 BPM.

Marshall JCM800
Amp

Marshall JCM800

Setzer uses Marshall JCM800s on later recordings for a dirtier, more aggressive tone than his vintage Fender Bassmans, pushing the amp into controllable breakup for harder rockabilly edges while maintaining dynamic pick sensitivity.

Ibanez Tube Screamer TS9
Pedal

Ibanez Tube Screamer TS9

The TS9 serves as Setzer's occasional solo boost, adding controlled overdrive that stacks naturally with the Gretsch's TV Jones pickups for punchy lead tones without losing the snappy high-end clarity essential to rockabilly.

MXR Carbon Copy Analog Delay
Pedal

MXR Carbon Copy Analog Delay

This analog delay recreates Setzer's signature slapback tone, delivering the classic 120-140ms repeat at 40-50% mix that gives Stray Cats records their vintage ambiance while preserving the natural hollowbody resonance.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)