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Jimi Hendrix - Purple Haze Pt.2 - Guitar Solo - Guitar Lesson

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Jimi Hendrix - Purple Haze Pt.2 - Guitar Solo - Guitar Lesson

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Jimi Hendrix - Purple Haze Pt.2 - Guitar Solo guitar lesson video
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Purple Haze Pt.2 - Guitar Solo

"Purple Haze Pt.2 - Guitar Solo" is a guitar-focused segment drawn from Jimi Hendrix's iconic catalog, isolating the electric guitar work that made Hendrix one of the most studied players in rock history. Hendrix's bending technique, use of the whammy bar, and blues-rooted phrasing make this piece an essential study for electric guitarists. Working through this solo offers direct insight into his signature approach to tone, vibrato, and expressive note choice.

  • Hendrix often tuned his guitar down a half step, giving his bends and chords a looser, heavier feel distinctive to his style.
  • The solo showcases Hendrix's left-handed playing on a right-handed guitar flipped upside down, affecting his picking mechanics.
  • Studying this guitar solo helps players understand blues-scale application, chromatic passing tones, and whammy bar integration in a rock context.
Fender Stratocaster
Guitar

Fender Stratocaster

Hendrix's reversed left-handed Strats with stock single-coils delivered bright, articulate tone with pronounced string separation that sang when driven through cranked tubes. The in-between pickup positions created his signature quack tones, while the volume knob let him dynamically shape fuzz in real time.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

Hendrix pushed the Marshall 1959's power tubes to natural saturation, generating thick, harmonically rich overdrive that became his signature sound. The amp's aggressive breakup complemented his single-coils perfectly, delivering singing sustain without compressing his dynamic touch.

Fender Twin Reverb
Amp

Fender Twin Reverb

In the studio, Hendrix used the Twin Reverb's cleaner headroom to capture sparkling, articulate tones and explore different breakup characteristics than the Marshall. Its built-in reverb added spaciousness to tracks like 'Little Wing' without relying on external effects.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Hendrix treated the Cry Baby as an expressive tone-shaping tool, rocking it rhythmically mid-riff on 'Voodoo Child' rather than just switching it on and off. The pedal's resonant sweep perfectly complemented his fuzz textures and added vocal-like expressiveness to his soloing.

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