Practice Studio

Nirvana - Pennyroyal Tea - Guitar Lesson

Sections · Loop · Speed · Metronome

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Speed Control

Speed
100%

Tools

BPM
Key Am minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

In Utero album cover
In Utero
1993 3:39
Nirvana Grunge 1993 Am minor
Capo Advisor 0 Am minor · Original key

About Pennyroyal Tea


Few Nirvana songs reward close guitar attention quite like "Pennyroyal Tea." Where much of In Utero leans on noise and aggression, this one strips things back to a fingerpicked acoustic intro that sits at the heart of the arrangement. The picking pattern feels deceptively simple, but keeping it even and relaxed in A minor takes more control than it looks, especially when you need to carry that quiet, hollow mood. When the electric guitar enters and the song shifts dynamic, the challenge becomes contrast: you want the strummed sections to feel heavier without forcing them. Nirvana built the whole track on that push and pull between sparse and full, so your picking hand dynamics matter more than any single chord shape. Use the Practice Toolbar to loop the intro fingerpicking at reduced speed until the pattern sits under your fingers without tension, then build the tempo back up gradually before adding the electric sections.

  • The song opens with a fingerpicked acoustic guitar pattern in A minor that requires steady, controlled picking-hand dynamics to maintain its fragile, understated feel.
  • The arrangement contrasts quiet acoustic fingerpicking with heavier strummed electric sections, so practising the two parts separately first helps you nail the dynamic shift.
  • Because the intro pattern loops with small variations, using the Practice Toolbar to slow it down and loop it is the most efficient way to lock in the fingering early.

How to Play Pennyroyal Tea

Key: Am minor · Tempo: 124 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 124 BPM to build it up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

Cobain used the Stratocaster on several Nevermind tracks, leveraging its bright single-coils to cut through dense arrangements. Though less iconic than his Mustang, the Strat provided tonal clarity for melodic passages within Nirvana's heavy sonic framework.

Fender Twin Reverb
Amp

Fender Twin Reverb

Cobain deployed the Twin Reverb's clean headroom and natural breakup for softer verses and intros, creating dynamic contrast against his saturated Mesa preamp tones. The amp's warm response complemented his sparse, dry-focused signal chain.

DiMarzio Super Distortion
Pickup

DiMarzio Super Distortion

Cobain swapped DiMarzio humbuckers into his Jaguars and Mustangs to fatten their typically bright single-coils, pushing harder into his Mesa preamp for compressed, fuzzy sustain. This high-output bridge pickup was essential to Nirvana's thick, aggressive midrange distortion.

Boss DS-1 Distortion
Pedal

Boss DS-1 Distortion

The DS-1 functioned as Cobain's heavy-hitting boost pedal, slamming the front end of his already-overdriven Mesa preamp to intensify saturation during explosive chorus sections. Its gritty character helped define Nirvana's raw, in-your-face distortion tone.

Electro-Harmonix Small Clone
Pedal

Electro-Harmonix Small Clone

Cobain's signature chorus voice, heard prominently on Come As You Are and clean passages of Smells Like Teen Spirit, added subtle wobble and width. The Small Clone's lush modulation provided dynamic relief against his otherwise aggressive, compressed overdriven tones.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)