Practice Studio

Nirvana - Lake Of Fire - Guitar Lesson

Sections · Loop · Speed · Metronome

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Select a Loop

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Speed Control

Speed
100%

Tools

BPM
Key G minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

MTV Unplugged In New York album cover
MTV Unplugged In New York
1994 2:56
Nirvana Grunge 1994 G minor
Capo Advisor 0 G minor · Original key

About Lake Of Fire


Originally written by the Meat Puppets, "Lake Of Fire" became widely known through the stripped-back acoustic performance by Nirvana on their 1994 MTV Unplugged set. The song sits in G minor and is played in Eb Standard tuning, so drop your whole guitar a half step before you start. At 120 BPM the feel is a steady, mid-tempo strum, but the character comes from dynamics rather than speed: light fingerpicking verses that swell into a harder strummed chorus. The chord shapes themselves are not difficult, but landing that contrast in touch consistently is where most players need work. The slightly dark, ringing quality of Eb Standard adds weight to the open chords, so let them ring fully rather than dampening early. If the transition between the picking pattern and the strummed sections is tripping you up, isolate that moment with the Practice Toolbar, loop it slowed down, and focus on your right hand rather than the fretting hand.

  • The song is played in Eb Standard tuning, meaning every string is tuned down one half step from standard, giving open chords a slightly fuller, darker tone.
  • The main challenge is controlling dynamics: the fingerpicked verse pattern must stay light and clean before shifting into the harder strummed chorus sections.
  • At 120 BPM the tempo is approachable for intermediate players, making it a good piece for practising consistent right-hand alternation between picking and strumming.

How to Play Lake Of Fire

Tuning: Eb Standard · Key: G minor · Tempo: 120 BPM

It is played in Eb standard, a half step down, so tune down before you start or every position and bend will sit a half step sharp against the recording.

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

Cobain used the Stratocaster on several Nevermind tracks, leveraging its bright single-coils to cut through dense arrangements. Though less iconic than his Mustang, the Strat provided tonal clarity for melodic passages within Nirvana's heavy sonic framework.

Fender Twin Reverb
Amp

Fender Twin Reverb

Cobain deployed the Twin Reverb's clean headroom and natural breakup for softer verses and intros, creating dynamic contrast against his saturated Mesa preamp tones. The amp's warm response complemented his sparse, dry-focused signal chain.

DiMarzio Super Distortion
Pickup

DiMarzio Super Distortion

Cobain swapped DiMarzio humbuckers into his Jaguars and Mustangs to fatten their typically bright single-coils, pushing harder into his Mesa preamp for compressed, fuzzy sustain. This high-output bridge pickup was essential to Nirvana's thick, aggressive midrange distortion.

Boss DS-1 Distortion
Pedal

Boss DS-1 Distortion

The DS-1 functioned as Cobain's heavy-hitting boost pedal, slamming the front end of his already-overdriven Mesa preamp to intensify saturation during explosive chorus sections. Its gritty character helped define Nirvana's raw, in-your-face distortion tone.

Electro-Harmonix Small Clone
Pedal

Electro-Harmonix Small Clone

Cobain's signature chorus voice, heard prominently on Come As You Are and clean passages of Smells Like Teen Spirit, added subtle wobble and width. The Small Clone's lush modulation provided dynamic relief against his otherwise aggressive, compressed overdriven tones.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)