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Nirvana - Lake Of Fire - Guitar Lesson

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Nirvana - Lake Of Fire - Guitar Lesson

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Nirvana - Lake Of Fire guitar lesson video
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MTV Unplugged In New York album cover
MTV Unplugged In New York
1994 2:56
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Nirvana Grunge 1994 G minor
Capo Advisor 0 G minor · Original key

Lake Of Fire

"Lake of Fire" is a song originally written by Curt Kirkwood of the Meat Puppets, appearing on their 1984 album Meat Puppets II. Nirvana brought the song to a much wider audience through their famous MTV Unplugged performance, where Curt and Cris Kirkwood joined them on stage. For electric guitar players, it offers an approachable introduction to Nirvana's acoustic-leaning style while showcasing the raw, country-influenced chord work that defines the Meat Puppets' original writing.

  • The song was written by Curt Kirkwood, who played the track live alongside Nirvana during their MTV Unplugged session.
  • Originally recorded for Meat Puppets II in 1984, the song blends country and punk influences into a deceptively simple chord structure.
  • The Meat Puppets revisited the track as a hidden song on their 1994 album Too High to Die, the same year Nirvana performed it.
Fender Stratocaster
Guitar

Fender Stratocaster

Cobain used the Stratocaster on several Nevermind tracks, leveraging its bright single-coils to cut through dense arrangements. Though less iconic than his Mustang, the Strat provided tonal clarity for melodic passages within Nirvana's heavy sonic framework.

Fender Twin Reverb
Amp

Fender Twin Reverb

Cobain deployed the Twin Reverb's clean headroom and natural breakup for softer verses and intros, creating dynamic contrast against his saturated Mesa preamp tones. The amp's warm response complemented his sparse, dry-focused signal chain.

DiMarzio Super Distortion
Pickup

DiMarzio Super Distortion

Cobain swapped DiMarzio humbuckers into his Jaguars and Mustangs to fatten their typically bright single-coils, pushing harder into his Mesa preamp for compressed, fuzzy sustain. This high-output bridge pickup was essential to Nirvana's thick, aggressive midrange distortion.

Boss DS-1 Distortion
Pedal

Boss DS-1 Distortion

The DS-1 functioned as Cobain's heavy-hitting boost pedal, slamming the front end of his already-overdriven Mesa preamp to intensify saturation during explosive chorus sections. Its gritty character helped define Nirvana's raw, in-your-face distortion tone.

Electro-Harmonix Small Clone
Pedal

Electro-Harmonix Small Clone

Cobain's signature chorus voice, heard prominently on Come As You Are and clean passages of Smells Like Teen Spirit, added subtle wobble and width. The Small Clone's lush modulation provided dynamic relief against his otherwise aggressive, compressed overdriven tones.

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