Practice Studio

Nirvana - The Man Who Sold The World - Guitar Lesson

Sections · Loop · Speed · Metronome

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Speed Control

Speed
100%

Tools

BPM
Key A minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Nirvana Grunge A minor
Capo Advisor 0 A minor · Original key

About The Man Who Sold The World


Nirvana's cover of this David Bowie track, recorded live for their MTV Unplugged set in 1993, is one of the more deceptively tricky things to nail on guitar. The tuning is Eb Standard, so drop every string a half-step before you start, and the key is A minor, which gives the main riff a brooding, slightly modal quality. That riff is the core of the whole piece: a fingerpicked or hybrid-picked melodic line that sits low on the neck and needs to ring cleanly without rushing. At 96 BPM the tempo is moderate, but keeping the phrasing relaxed and slightly behind the beat is what actually makes it sound right, and that feel is easy to lose when you are first learning it. Use the Practice Toolbar to loop the riff slowed down until the fretting hand can move cleanly between positions without squeezing too hard. Nirvana played this as an acoustic number, so tone here comes from touch and dynamics rather than distortion, which means any sloppiness in the fretting is fully exposed. If you play Grunge regularly, this is a useful exercise in restraint.

  • The song is played in Eb Standard tuning, so all six strings need to be tuned down one half-step from standard.
  • The signature riff relies on clean melodic fretting with no distortion, making precise left-hand placement the main technical challenge.
  • Practising the main riff with the Practice Toolbar looped and slowed will help lock in the relaxed, slightly behind-the-beat phrasing.

How to Play The Man Who Sold The World

Tuning: Eb Standard · Key: A minor · Tempo: 96 BPM

It is played in Eb standard, a half step down, so tune down before you start or every position and bend will sit a half step sharp against the recording.

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 96 BPM to build it up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

Cobain used the Stratocaster on several Nevermind tracks, leveraging its bright single-coils to cut through dense arrangements. Though less iconic than his Mustang, the Strat provided tonal clarity for melodic passages within Nirvana's heavy sonic framework.

Fender Twin Reverb
Amp

Fender Twin Reverb

Cobain deployed the Twin Reverb's clean headroom and natural breakup for softer verses and intros, creating dynamic contrast against his saturated Mesa preamp tones. The amp's warm response complemented his sparse, dry-focused signal chain.

DiMarzio Super Distortion
Pickup

DiMarzio Super Distortion

Cobain swapped DiMarzio humbuckers into his Jaguars and Mustangs to fatten their typically bright single-coils, pushing harder into his Mesa preamp for compressed, fuzzy sustain. This high-output bridge pickup was essential to Nirvana's thick, aggressive midrange distortion.

Boss DS-1 Distortion
Pedal

Boss DS-1 Distortion

The DS-1 functioned as Cobain's heavy-hitting boost pedal, slamming the front end of his already-overdriven Mesa preamp to intensify saturation during explosive chorus sections. Its gritty character helped define Nirvana's raw, in-your-face distortion tone.

Electro-Harmonix Small Clone
Pedal

Electro-Harmonix Small Clone

Cobain's signature chorus voice, heard prominently on Come As You Are and clean passages of Smells Like Teen Spirit, added subtle wobble and width. The Small Clone's lush modulation provided dynamic relief against his otherwise aggressive, compressed overdriven tones.