Practice Studio

Eric Johnson - Manhattan - Main Solo - Guitar Lesson

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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

About Manhattan - Main Solo


The main solo from "Manhattan" sits at the heart of what makes Eric Johnson such a demanding player to study. At 120 BPM in standard E tuning, the tempo feels comfortable at first glance, but Johnson's phrasing is loaded with quick scalar runs, wide string skips, and his characteristically clean legato lines that demand real left-hand precision. Every note needs to speak evenly, which means sloppy hammer-ons and pull-offs will stick out immediately. The solo also calls for a controlled, singing tone, so your pick attack and the way you shape each phrase matter as much as the technical execution. Pick a phrase that gives you trouble and use the Practice Toolbar to loop it slowed down until the muscle memory is solid before bringing it back up to tempo. Within the broader world of Progressive Rock guitar, this solo rewards patience: nail the clean articulation first, and the musical expression follows naturally.

  • The solo sits in E Standard tuning and rewards a light, even pick attack to keep Johnson's characteristic clarity across fast scalar passages.
  • String skipping appears throughout the solo, making it worth isolating those leaps with the Practice Toolbar slowed down before attempting full speed.
  • Johnson's legato technique is central here, so focus on consistent hammer-on and pull-off volume to avoid weaker notes dropping out of the phrase.

How to Play Manhattan - Main Solo

Tuning: E Standard · Tempo: 120 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

Eric Johnson's primary instrument, with vintage single-coils and a rolled-back tone knob that deliver warm, articulate lead tones and dynamic range. His signature model features a 1-meg volume pot preserving high-end clarity, essential for his layered clean and overdriven tones.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Johnson uses original PAF humbuckers on his 1958/1959 model for heavier, mid-rich lead work, providing thicker sustain and compression on songs like 'Cliffs of Dover' when pushed through his Marshall head.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

While not explicitly mentioned in Johnson's primary setup, this model shares PAF humbucker characteristics that would deliver similar thick, creamy lead tones and compressed sustain for heavier passages.

Gibson ES-335
Guitar

Gibson ES-335

Johnson switches to this semi-hollow body for jazzier passages mid-song, its balanced tone bridging his bright Strat clarity and Les Paul warmth for sophisticated, articulate lead work.

Fender Twin Reverb
Amp

Fender Twin Reverb

Johnson's core clean and light-crunch amp, run at volumes 5-6 for shimmering clarity and natural reverb that blends with his Marshall's grit to create his signature layered tone.

Ibanez Tube Screamer TS9
Pedal

Ibanez Tube Screamer TS9

Set with low gain and high level as a clean boost, Johnson's TS9 pushes his amps into natural breakup while preserving the dynamic articulation crucial to his playing style.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)