Practice Studio

Kenny Wayne Shepherd - Blue on Black - Guitar Lesson

Sections · Loop · Speed · Metronome

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Select a Loop

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Speed Control

Speed
100%

Tools

BPM
Key A minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Trouble Is... album cover
Trouble Is...
1997 5:34
Capo Advisor 0 A minor · Original key

About Blue on Black


Few Blues Rock songs pull off a slow, brooding groove as effectively as "Blue on Black," and getting that feel right on guitar is the real challenge here. Kenny Wayne Shepherd builds the song around a repeating minor-key riff that sits low and deliberate at 95 BPM, meaning every note has room to breathe and any rushing will kill the mood instantly. Playing in A minor in E Standard tuning, the riff calls for clean string muting between hits so the spaces stay quiet and controlled. The bending and vibrato on the lead lines demand attention too: the bends need to be accurate in pitch and the vibrato slow and wide, not fast and nervous. If the lead phrasing feels slippery, use the Practice Toolbar to loop just that passage slowed down until the muscle memory settles in. Getting comfortable with that laid-back, behind-the-beat placement is what separates a convincing run through this song from one that just hits the right notes.

  • The main riff sits in A minor in E Standard tuning, making it a good entry point for players learning to phrase in a minor pentatonic context.
  • At 95 BPM the song moves slowly enough that timing discipline and note sustain matter more than speed or technical complexity.
  • Controlled string muting between riff hits is essential to preserving the dark, brooding tone the song depends on.

How to Play Blue on Black

Tuning: E Standard · Key: A minor · Tempo: 95 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 95 BPM to build it up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

Kenny Wayne Shepherd's Strat delivers the bright, articulate single-coil tone essential to his vocal-like blues phrasing, with the bolt-on construction providing the snappy responsiveness he needs for dynamic pick control.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Shepherd uses the Cry Baby's expressive filter sweeps as a lead voice in his solos, transforming his Strat's natural midrange into singing, human-like tones that complement his aggressive picking style.

Ibanez Tube Screamer TS9
Pedal

Ibanez Tube Screamer TS9

The Tube Screamer acts as a transparent clean boost pushing his Vibroverb's tubes harder for leads, preserving his single-coil pickup's dynamics while adding sustain without sacrificing the touch-responsive tone he relies on.

MXR Carbon Copy Analog Delay
Pedal

MXR Carbon Copy Analog Delay

Shepherd's occasional analog delay use adds depth and space to lead work, maintaining the transparency of his signal chain while letting his articulate Strat tone remain the focus of his bluesy phrasing.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)