Practice Studio

AC/DC - Highway To Hell Pt.1 - All Riffs - Guitar Lesson

Sections · Loop · Speed · Metronome

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Speed Control

Speed
100%

Tools

BPM
Key A minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

AC/DC Hard Rock A minor
Capo Advisor 0 A minor · Original key

About Highway To Hell Pt.1 - All Riffs


Few riffs in rock are as deceptively simple and as physically demanding to play well as the ones AC/DC built "Highway to Hell" around. The song lives in A minor, and the magic is in how Angus Young locks a hard-driving, slightly behind-the-beat feel into every chord change. Getting that groove right means resisting the urge to rush the strumming hand, keeping everything tight and chunky rather than loose and washy. The main riff relies on open-position power chords with palm muting, so the real work is controlling exactly how much mute you apply and releasing it cleanly on the accented hits. That release point is easy to fumble at tempo, so use the Practice Toolbar to loop each riff section slowed down until the palm pressure becomes automatic. Once the mechanics are under your fingers, the focus shifts to attitude: a confident, unwavering pick attack that never softens, even on the transitional strums between the big chord hits.

  • The signature riff uses open-position power chords combined with palm muting, so controlling mute pressure and release is the core technique to nail.
  • Playing behind the beat is essential to the groove; rushing even slightly collapses the heavy, locked-in feel the riff depends on.
  • A clean, consistent downstroke-heavy picking approach is key to replicating the driving tone across all the main riffs in this song.

How to Play Highway To Hell Pt.1 - All Riffs

Key: A minor · Tempo: 116 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 116 BPM to build it up to tempo.

Gibson SG Standard
Guitar

Gibson SG Standard

Angus Young's 1968 Gibson SG Standard is the foundation of AC/DC's signature tone, its lightweight mahogany body and full upper-fret access enabling his aggressive, fluid lead work. Stock Gibson humbuckers push Marshall Plexi amps into natural tube saturation, giving him the perfect balance of dynamics and crunch without relying on effects.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

The Marshall 1959 Super Lead cranked to full volume is where Angus Young's power comes from, with no master volume control forcing the power tubes to compress and break up naturally. This thick, harmonically rich overdrive defines AC/DC's raw, unprocessed rock tone straight from guitar to amp.

Marshall JTM45
Amp

Marshall JTM45

Angus Young uses the Marshall JTM45 as his primary amp for achieving natural tube saturation at high volumes, where the amp's power tubes generate organic overdrive without any pedal assistance. This minimalist, direct approach captures AC/DC's core sound: pure, uncolored guitar and amp interaction.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)