Practice Studio

AC/DC - Highway To Hell Pt.2 - Solo - Guitar Lesson

Sections · Loop · Speed · Metronome

Not in tune?

Select a Loop

Start of your loop
End of your loop

Speed Control

Speed
100%

Tools

BPM
Key A minor
PLAY WITH BACKING TRACK
·
–50¢ 0 +50¢
· Tap to start

Your browser will ask for microphone permission.

Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

AC/DC Hard Rock A minor
Capo Advisor 0 A minor · Original key

About Highway To Hell Pt.2 - Solo


The solo in "Highway To Hell Pt.2" is a great place to dig into Angus Young's approach to blues-rooted rock lead playing. His style leans heavily on the minor pentatonic scale, so working in A minor means you will be reaching for those familiar box positions, but the real challenge is in how he phrases within them: the bends, the vibrato, and the way notes breathe rather than just fire off in sequence. Getting that feel right takes patience. Pick a tough phrase, loop it slowed down using the Practice Toolbar, and focus on making each bend land exactly in pitch before you bring it back up to speed. AC/DC built their sound on feel over flash, which is actually harder to copy than speed. A clean, slightly gritty tone will serve you better here than heavy gain, since too much distortion will hide whether your bends are actually in tune.

  • The solo sits in A minor, making the minor pentatonic scale your primary tool throughout the lead lines.
  • Focus on precise string bends and controlled vibrato rather than speed, as Angus Young's phrasing relies on feel.
  • Use the Practice Toolbar to loop and slow down individual phrases until your bends are reliably in tune before playing at full tempo.

How to Play Highway To Hell Pt.2 - Solo

Key: A minor · Tempo: 116 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 116 BPM to build it up to tempo.

Gibson SG Standard
Guitar

Gibson SG Standard

Angus Young's 1968 Gibson SG Standard is the foundation of AC/DC's signature tone, its lightweight mahogany body and full upper-fret access enabling his aggressive, fluid lead work. Stock Gibson humbuckers push Marshall Plexi amps into natural tube saturation, giving him the perfect balance of dynamics and crunch without relying on effects.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

The Marshall 1959 Super Lead cranked to full volume is where Angus Young's power comes from, with no master volume control forcing the power tubes to compress and break up naturally. This thick, harmonically rich overdrive defines AC/DC's raw, unprocessed rock tone straight from guitar to amp.

Marshall JTM45
Amp

Marshall JTM45

Angus Young uses the Marshall JTM45 as his primary amp for achieving natural tube saturation at high volumes, where the amp's power tubes generate organic overdrive without any pedal assistance. This minimalist, direct approach captures AC/DC's core sound: pure, uncolored guitar and amp interaction.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)