Practice Studio

AC/DC - Hells Bells Pt.1 - All Riffs - Guitar Lesson

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Key A minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

AC/DC Hard Rock 1980 A minor
Capo Advisor 0 A minor · Original key

About Hells Bells Pt.1 - All Riffs


"Hells Bells" opens Back in Black with one of the most recognisable slow-build guitar moments in hard rock. Angus and Malcolm Young of AC/DC keep the riff work deceptively simple, rooted in A minor, but that simplicity is exactly what makes feel and timing so critical here. The main riffs rely on tight palm muting, controlled note bends, and a steady, deliberate attack, so any rushing or sloppy muting will immediately expose itself. Getting the weight of each note to land without dragging is a real challenge, and that comes down to right-hand discipline more than finger speed. There are several distinct riff sections across the song, and this page covers all of them, so work through each one individually before chaining them together. Use the Practice Toolbar to loop any riff slowed down until your muting and timing are locked in, then gradually bring the tempo back up. Letting the groove breathe is everything on this track.

  • The riffs are built around A minor and lean heavily on palm-muted open and low-string notes, making clean muting technique the core skill to develop.
  • Every riff runs at a slow, deliberate tempo, so focus on keeping your pick attack consistent and avoiding the temptation to rush or add extra movement.
  • Malcolm Young's rhythm playing on this track is a study in restraint, using minimal movement and a tight, locked feel rather than flashy technique.

How to Play Hells Bells Pt.1 - All Riffs

Key: A minor · Tempo: 63 BPM

Loop each section and focus on clean, even timing rather than speed, with the metronome at 63 BPM.

Gibson SG Standard
Guitar

Gibson SG Standard

Angus Young's 1968 Gibson SG Standard is the foundation of AC/DC's signature tone, its lightweight mahogany body and full upper-fret access enabling his aggressive, fluid lead work. Stock Gibson humbuckers push Marshall Plexi amps into natural tube saturation, giving him the perfect balance of dynamics and crunch without relying on effects.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

The Marshall 1959 Super Lead cranked to full volume is where Angus Young's power comes from, with no master volume control forcing the power tubes to compress and break up naturally. This thick, harmonically rich overdrive defines AC/DC's raw, unprocessed rock tone straight from guitar to amp.

Marshall JTM45
Amp

Marshall JTM45

Angus Young uses the Marshall JTM45 as his primary amp for achieving natural tube saturation at high volumes, where the amp's power tubes generate organic overdrive without any pedal assistance. This minimalist, direct approach captures AC/DC's core sound: pure, uncolored guitar and amp interaction.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)