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AC/DC - Hells Bells Pt.2 - Solo - Guitar Lesson

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AC/DC - Hells Bells Pt.2 - Solo - Guitar Lesson

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AC/DC - Hells Bells Pt.2 - Solo guitar lesson video
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Back In Black album cover
Back In Black
1980 5:13
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AC/DC Hard Rock 1980 A minor
Capo Advisor 0 A minor · Original key

Hells Bells Pt.2 - Solo

"Hells Bells" is a track by Australian hard rock band AC/DC, featured on their landmark 1980 album *Back in Black*, the first record to feature vocalist Brian Johnson following the death of Bon Scott. The song is a cornerstone of classic rock guitar repertoire, built around memorable riffs and a brooding atmosphere that makes it compelling to study. Learning the solo section offers electric guitarists a focused look at Angus Young's direct, blues-rooted phrasing and controlled intensity.

  • Back in Black was released on 25 July 1980, marking AC/DC's first album with Brian Johnson on vocals.
  • Angus Young's solo style on this track emphasizes economy of notes and expressive bends over technical complexity.
  • The song appeared on Back in Black, widely regarded as one of the best-selling rock albums in history.
Gibson SG Standard
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Gibson SG Standard

Angus Young's 1968 Gibson SG Standard is the foundation of AC/DC's signature tone, its lightweight mahogany body and full upper-fret access enabling his aggressive, fluid lead work. Stock Gibson humbuckers push Marshall Plexi amps into natural tube saturation, giving him the perfect balance of dynamics and crunch without relying on effects.

Marshall Plexi (1959 Super Lead)
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Marshall Plexi (1959 Super Lead)

The Marshall 1959 Super Lead cranked to full volume is where Angus Young's power comes from, with no master volume control forcing the power tubes to compress and break up naturally. This thick, harmonically rich overdrive defines AC/DC's raw, unprocessed rock tone straight from guitar to amp.

Marshall JTM45
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Marshall JTM45

Angus Young uses the Marshall JTM45 as his primary amp for achieving natural tube saturation at high volumes, where the amp's power tubes generate organic overdrive without any pedal assistance. This minimalist, direct approach captures AC/DC's core sound: pure, uncolored guitar and amp interaction.

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