Practice Studio

John Petrucci - Glasgow Kiss Pt.1 - Intro Section - Guitar Lesson

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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

About Glasgow Kiss Pt.1 - Intro Section


Drop D tuning is central to this intro, giving the low D string the extra weight and ease of one-finger power chords that John Petrucci uses to anchor the riff while the upper strings carry melodic movement above it. At 120 BPM the tempo is moderate, but the challenge here is not raw speed: it is precision and tone control. Petrucci's picking attack needs to be clean and deliberate, so even a small amount of unwanted string noise becomes very audible against the tight, heavily palm-muted low-end figures. The intro sits in the world of Progressive Rock, which means rhythmic accuracy matters as much as any single technical skill. Pay close attention to where the palm mute releases and where the notes ring fully open, because that contrast drives the feel. Use the Practice Toolbar to loop the trickiest transition points slowed down until the muting and the picking feel completely automatic before bringing the tempo back up.

  • Drop D tuning lets you fret the low D power chord shape with one finger, which is essential for keeping up with the rhythmic demands of this intro riff.
  • Palm muting precision is the core technique to practise here: the contrast between muted and open notes defines the character of the riff.
  • At 120 BPM the tempo is approachable, but locking your picking hand rhythm in tightly before adding fretting-hand detail will save a lot of cleanup time.

How to Play Glasgow Kiss Pt.1 - Intro Section

Tuning: Drop D · Tempo: 120 BPM

The drop D tuning lets you fret the low power chords with a single finger, which is central to the heavier riffing here.

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Petrucci uses the Cry Baby wah to add expressive vocal qualities to his lead passages, especially during Dream Theater's complex solos where the wah cuts through dense arrangements without muddying his articulate tone. The pedal's responsive sweep complements his pick dynamics and the tight midrange of his DiMarzio pickups.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)