Practice Studio

John Petrucci - Glasgow Kiss Pt.2 - First Verse Section - Guitar Lesson

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Classic Rock

Gain6
Bass6
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Treble6
Presence5
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About Glasgow Kiss Pt.2 - First Verse Section


Drop D tuning does a lot of work in this section of "Glasgow Kiss Pt.2," giving John Petrucci the low-end weight he needs while keeping the upper strings free for melodic runs. The first verse section pulls you into the rhythmic vocabulary of Progressive Rock: odd groupings, precise palm muting, and a picking hand that has to stay relaxed even when the patterns feel angular. The main challenge is keeping the low D riff locked in tightly while the fretting hand shifts position cleanly without rushing. Petrucci's phrasing here rewards players who practice slowly with attention to dynamics, so use the Practice Toolbar to isolate the trickiest bar or two and loop it slowed down until the pick attack and fretting feel automatic. Once the rhythm part sits comfortably under your hands, the melodic ideas layered above it will start to make much more sense.

  • Drop D tuning is essential here, letting you fret the low D power chord with one finger while maintaining agility across the upper strings.
  • The section demands tight palm muting on the low string combined with clean position shifts, so slow, deliberate practice pays off quickly.
  • Petrucci's picking economy and right-hand consistency are the real technical focus in this verse section, more so than speed.

How to Play Glasgow Kiss Pt.2 - First Verse Section

Tuning: Drop D

The drop D tuning lets you fret the low power chords with a single finger, which is central to the heavier riffing here.

Use the section loop to isolate a passage and drop the speed to build each section up to tempo.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Petrucci uses the Cry Baby wah to add expressive vocal qualities to his lead passages, especially during Dream Theater's complex solos where the wah cuts through dense arrangements without muddying his articulate tone. The pedal's responsive sweep complements his pick dynamics and the tight midrange of his DiMarzio pickups.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)