Practice Studio

Jimi Hendrix - Foxy Lady - Guitar Lesson

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Speed
100%

Tools

BPM
Key F# minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Jimi Hendrix Blues Rock F# minor
Capo Advisor 0 F# minor · Original key

About Foxy Lady


Few riffs in Blues Rock are as immediately recognisable as the one that opens "Foxy Lady." Jimi Hendrix builds it from a grinding F# power chord swell, heavy fuzz, and a pull-off figure that snakes down the neck, and nailing that feel is the first real challenge here. The song sits in Eb Standard tuning, so before you play a note you need to drop every string a half step, which also softens string tension and makes those bends and vibrato feel looser under your fingers. At 128 BPM the groove is mid-tempo and swaggering, meaning any sloppiness in timing sits fully exposed. The verse riff looks simple on paper but demands tight left-hand muting between the hits to keep that rhythmic punch. Use the Practice Toolbar to loop the opening riff slowed down until your muting and fuzz tone lock together cleanly, then gradually bring the speed back up. The solo draws on blues phrasing with wide vibrato and expressive bends, both of which benefit from that lower Eb tension.

  • The entire song is played in Eb Standard tuning, with every string tuned down a half step from standard E, which affects string feel and bend response.
  • The signature opening riff relies on heavy fuzz and precise palm muting between power chord stabs, making clean articulation the main technical hurdle.
  • The solo uses wide finger vibrato and full-step bends rooted in the F# minor blues scale, so solidifying that scale position is essential preparation.

How to Play Foxy Lady

Tuning: Eb Standard · Key: F# minor · Tempo: 128 BPM

It is played in Eb standard, a half step down, so tune down before you start or every position and bend will sit a half step sharp against the recording.

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 128 BPM to build it up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

Hendrix's reversed left-handed Strats with stock single-coils delivered bright, articulate tone with pronounced string separation that sang when driven through cranked tubes. The in-between pickup positions created his signature quack tones, while the volume knob let him dynamically shape fuzz in real time.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

Hendrix pushed the Marshall 1959's power tubes to natural saturation, generating thick, harmonically rich overdrive that became his signature sound. The amp's aggressive breakup complemented his single-coils perfectly, delivering singing sustain without compressing his dynamic touch.

Fender Twin Reverb
Amp

Fender Twin Reverb

In the studio, Hendrix used the Twin Reverb's cleaner headroom to capture sparkling, articulate tones and explore different breakup characteristics than the Marshall. Its built-in reverb added spaciousness to tracks like 'Little Wing' without relying on external effects.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Hendrix treated the Cry Baby as an expressive tone-shaping tool, rocking it rhythmically mid-riff on 'Voodoo Child' rather than just switching it on and off. The pedal's resonant sweep perfectly complemented his fuzz textures and added vocal-like expressiveness to his soloing.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)