Practice Studio

Cream - Crossroads Pt.2 - First Guitar Solo - Guitar Lesson

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Key E minor
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Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Cream Blues Rock E minor
Capo Advisor 0 E minor · Original key

About Crossroads Pt.2 - First Guitar Solo


Few guitar solos in Blues Rock demand as much from a player as this one. Eric Clapton's first solo in the Cream live recording tears through E minor at a relentless 120 BPM, and that tempo is where most students hit their first wall. The lines are rooted in the minor pentatonic and blues scale, but the phrasing is aggressive and rhythmically dense, requiring both clean articulation and controlled string bending in tune. Getting the bends to land accurately at speed takes real focused repetition. Drop the tempo back in the Practice Toolbar, isolate the two or three phrases that keep falling apart, and loop them slowed down until the muscle memory is solid before bringing it back up to 120. Cream recorded this in E Standard, so no retuning is needed, but your picking hand needs to stay relaxed or the faster runs will tighten up and lose clarity. The attack and tone matter as much as the notes here.

  • The solo sits in E minor pentatonic and blues scale, so mastering those two shapes in the first three fret positions is essential preparation.
  • At 120 BPM the phrases come quickly, and accurate string bends in tune are the single hardest technical demand in this solo.
  • E Standard tuning means you can play this exactly as recorded with no retuning, letting you focus entirely on phrasing and pick attack.

How to Play Crossroads Pt.2 - First Guitar Solo

Tuning: E Standard · Key: E minor · Tempo: 120 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Gibson SG Standard
Guitar

Gibson SG Standard

Lighter and more aggressive than the Les Paul, the SG's slim mahogany body and twin humbuckers produce a raw, snarling midrange. Angus Young's weapon of choice - perfect for high-energy rock and hard-driving riffs.

Marshall JTM45
Amp

Marshall JTM45

Marshall's first amplifier and the blueprint for all British rock tone. Based on the Fender Bassman circuit, the JTM45's KT66 power tubes and bold midrange deliver a warm, fat breakup that influenced decades of rock playing.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

The most recognised wah pedal on the planet. The Cry Baby's vocal frequency sweep gave Hendrix, Clapton and Kirk Hammett their signature lead voices. Rock, funk, metal - no pedalboard is complete without one.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)