Practice Studio

Led Zeppelin - Babe I'm Gonna Leave You Pt.2 - Guitar Lesson

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Speed
100%

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BPM
Key A minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Led Zeppelin (Remastered) album cover
Led Zeppelin (Remastered)
1969 6:43
Capo Advisor 0 A minor · Original key

About Babe I'm Gonna Leave You Pt.2


Few early tracks show Jimmy Page's acoustic command quite like this one. The original "Babe I'm Gonna Leave You" from the 1969 debut by Led Zeppelin is built on fingerpicked acoustic guitar in Drop D tuning, and that open low D string is central to everything: it rings beneath chord shapes and single-note runs in A minor in a way that creates real tension against the melody. The Drop D tuning lets you finger bass notes on the sixth string with one finger while your other fingers cover the chord voicings above, so if that coordination feels awkward at first, isolate just the bass-and-chord alternation and loop it slowed down using the Practice Toolbar until the movement becomes automatic. The song also shifts between quiet, intricate fingerpicking passages and louder, more aggressive strummed sections, so controlling your right-hand dynamics across those changes is the real challenge. This sits squarely in the Blues Rock tradition of treating acoustic guitar as a vehicle for raw expression rather than polite accompaniment. At 95 BPM the tempo is moderate, but the fingerpicking pattern demands clean string separation at every speed.

  • The Drop D tuning is essential: the open sixth string rings as a low D pedal tone that underpins the A minor chord work throughout the song.
  • The main challenge is coordinating alternating bass notes on the low strings with fingerpicked melody notes above, a technique worth practising in isolation.
  • Use the Practice Toolbar to slow down the transitions between the quiet fingerpicked sections and the louder strummed passages, where timing and dynamics shift quickly.

How to Play Babe I'm Gonna Leave You Pt.2

Tuning: Drop D · Key: A minor · Tempo: 95 BPM

The drop D tuning lets you fret the low power chords with a single finger, which is central to the heavier riffing here.

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 95 BPM to build it up to tempo.

Fender Telecaster
Guitar

Fender Telecaster

Jimmy Page's 1958 Telecaster (gifted by Jeff Beck) delivered the bright, spanky single-coil attack that defined Led Zeppelin I's raw, bluesy edge. Its snappy treble cut through the mix on early tracks before Page switched to the warmer Les Paul for the band's heavier sound.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Page's 1959 Les Paul Standard with PAF humbuckers became the sonic backbone of Led Zeppelin from 1969 onward, its warm mahogany body and dynamic unpotted pickups creating the sustain-rich, touch-sensitive tone heard on 'Whole Lotta Love' and 'Black Dog.'

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

While Page primarily used the Les Paul Standard, a Custom's thicker body and tonal characteristics would complement his dynamic playing style, offering similar warmth with potentially enhanced bottom-end punch for Zeppelin's heavier arrangements.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

The Marshall 1959 Super Lead Plexi was Page's primary amplifier from Led Zeppelin II onward, cranked past 7 for natural power-tube saturation and natural breakup that responded dynamically to his pick attack and volume knob control.

Vox AC30
Amp

Vox AC30

Page deployed the Vox AC30 in the studio for cleaner, chiming tones and layering textures that added dimension to Led Zeppelin's arrangements, offering a vintage British tone that complemented the Marshall's aggression.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Page's Vox Cry Baby wah became iconic on 'Dazed and Confused,' its expressive sweep adding vocal-like character to his lead work throughout Led Zeppelin's catalog, integral to the band's psychedelic and blues-rock textures.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)