Practice Studio

Twisted Sister - We're Not Gonna Take It - Guitar Solo Tab

Sections · Loop · Speed · Metronome

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Select a Loop

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Speed Control

Speed
100%

Tools

BPM
Key E major
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Capo Advisor 0 E major · Original key

About We're Not Gonna Take It


Few riffs from 1984 announce themselves quite as immediately as the one driving "We're Not Gonna Take It." Built in E major on standard tuning, it sits right in the open-string sweet spot that makes power chords ring with maximum punch. At 120 BPM the tempo is comfortable, but locking those chunky downstrokes in tight without letting them get sloppy takes more discipline than it first appears. The main riff is a great entry point for anyone working on palm muting: getting the contrast between the muted chucking and the open, ringing chord hits is what gives the part its signature snap. Twisted Sister leaned into a high-gain, compressed tone here, so if your clean picking technique is inconsistent it will show. Use the Practice Toolbar to loop the verse riff slowed down and focus on your pick attack staying even across every chord. This is also a solid song for learning how glam metal rhythm guitar balances aggression with a very deliberate, almost anthemic groove.

  • The main riff lives entirely in E major and relies on power chords in standard tuning, making it very accessible for players past the beginner stage.
  • Palm muting control is the key technique here: the contrast between muted and open chord hits defines the riff's punchy, driving character.
  • At 120 BPM the song is moderate in tempo, but keeping downstroke rhythm tight and consistent throughout the whole track is the real stamina challenge.

How to Play We're Not Gonna Take It

Tuning: E Standard · Key: E major · Tempo: 120 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Jay Jay French's weapon of choice for Twisted Sister's crushing rhythm work, the Les Paul's thick body and stock PAF humbuckers deliver the warm, sustained lower-register tones that define the band's heavy sound. Its weight and resonance paired perfectly with cranked Marshall tube saturation.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

While not explicitly mentioned in Twisted Sister's primary setup, the Custom's increased weight and tonal characteristics would enhance the thick, sustained rhythm work Jay Jay French demands. The stock humbuckers provide the warm, balanced response essential to the band's direct amp-to-guitar approach.

Marshall JCM800
Amp

Marshall JCM800

Twisted Sister's core tone comes from pushing the JCM800's master volume to 7-8 for natural power-tube breakup, creating the band's signature warm saturation without channel switching or extra effects. The moderate presence peak at 5-6 maintains midrange clarity critical to heavy rhythm riffing.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Eddie Ojeda's occasional lead texturing tool, the Cry Baby adds expressiveness to solos while maintaining Twisted Sister's minimalist effects philosophy. Straight into the cranked Marshall head, it cuts through without compromising the direct, tube-driven saturation that defines their heavy metal sound.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)