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Kiss - I Want You s - Guitar Solo Tab

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BPM
Key A major
Kiss - I Want You s guitar tab video
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.
Unmasked album cover
Unmasked
1980 3:05
Listen on Spotify
Kiss Glam Metal 1980 A major
Capo Advisor 0 A major · Original key

About I Want You s

From the 1980 album "Unmasked," "I Want You" sits in A major at a steady 120 BPM in E Standard tuning, which keeps everything approachable while still demanding clean rhythm work and confident chord changes. The groove leans on tight, punchy chord stabs typical of Kiss at that period, so your right hand needs to stay locked in and disciplined rather than loose. The Glam Metal feel of the track means the strumming pattern carries a lot of the song's energy, and sloppy timing will show up immediately against the driving pulse. Focus first on locking your fretting hand chord shapes cleanly before worrying about dynamics. If the chord transition or the rhythm feel is tripping you up, use the Practice Toolbar to loop those bars slowed down until the motion is automatic. Once the rhythm is solid, bring the tempo back up and let the momentum of 120 BPM do the rest of the work for you.

  • The song sits in A major in E Standard tuning, so no retuning is needed and open chord voicings are available throughout.
  • At 120 BPM the rhythm part demands consistent right-hand timing, making it a good exercise in controlled, punchy strumming.
  • Looping the chord transition sections slowed down in the Practice Toolbar will help you build the muscle memory needed before playing at full tempo.

How to Play I Want You s

Tuning: E Standard · Key: A major · Tempo: 120 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Ace Frehley's 1959 Les Paul Standard with stock PAF humbuckers delivers the warm, singing sustain that defines Kiss's lead tone when cranked through Marshall amplifiers. The moderate output and responsiveness of PAFs let his solos cut through without compression, creating that vocal-quality sustain signature to the classic era.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

The Les Paul Custom's thick mahogany body and humbucker configuration provide the foundational warmth and sustain essential to Kiss's rhythm and lead work throughout their career. Its slightly hotter output compared to standard models contributes to the band's characteristically thick, aggressive tone.

Marshall JCM800
Amp

Marshall JCM800

Ace Frehley switched to the JCM800 in his later Kiss years, using its tighter, more defined gain structure to achieve singing leads and aggressive rhythm tones. The 100-watt model's preamp-driven breakup, pushed hard with master volume around 6-7, anchors Kiss's powerful, sustain-heavy sound.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

The Marshall 1959 Super Lead Plexi was Ace Frehley's primary amplifier during Kiss's classic era, delivering natural tube breakup and responsive dynamics when cranked loud. This head's warm, organic gain is fundamental to the singing quality and sustain heard on iconic Kiss solos and rhythm work.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Ace Frehley uses the Cry Baby wah expressively throughout Kiss solos, most famously parked in a half-open position on 'Detroit Rock City' for a vocal-like tonal boost. The pedal's dynamic responsiveness pairs perfectly with his PAF-equipped Les Paul and cranked Marshall for expressive, singing lead work.

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