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Ratt - Round and Round - Guitar Tab

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Ratt - Round and Round - Guitar Tab

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Key E minor
Ratt - Round and Round guitar tab video
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Classic Rock

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Ratt Glam Metal E minor
Capo Advisor 0 E minor · Original key

Round and Round

"Round and Round" is a heavy metal track by Ratt, released in 1984 on their debut album Out of the Cellar via Atlantic Records. The song helped establish Ratt as a leading act in the 1980s glam metal scene. For electric guitarists, it offers an excellent study in melodic hard rock riffing, dual-guitar interplay, and the polished yet aggressive tone that defined the era.

  • The track features dual guitar work, making it a great study in how two guitar parts complement each other in classic glam metal.
  • "Round and Round" appeared on Out of the Cellar, Ratt's major-label debut on Atlantic Records, released in 1984.
  • The song is a strong introduction to 1980s heavy metal rhythm and lead guitar techniques, including hammer-ons and melodic phrasing.
Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

While Robbin Crosby favored the Custom model, the Les Paul Standard's warm mahogany tone provided the thick midrange foundation Ratt needed for rhythm guitar parts. Its stock PAF-style humbuckers delivered the harmonic weight that sat perfectly behind DeMartini's brighter lead tone.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

Robbin Crosby's primary rhythm instrument, the Les Paul Custom's thick mahogany body and warm PAF humbuckers gave his chunky riffs the midrange punch and harmonic richness that contrasted with Warren DeMartini's bright, cutting lead sound.

Marshall JCM800
Amp

Marshall JCM800

The Marshall JCM800 2203/2205 was the sonic foundation of Ratt's tone, delivering the natural power-tube saturation and cutting edge that made both DeMartini's leads and Crosby's rhythms slice through the mix without losing clarity.

Seymour Duncan JB
Pickup

Seymour Duncan JB

Warren DeMartini loaded his Charvels with the aggressive JB humbucker to achieve fast, articulate lead lines with enough output and clarity to stand out over rhythm guitar without turning muddy or losing definition on rapid legato passages.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

DeMartini occasionally deployed the Cry Baby wah for expressive lead flourishes on solos, adding dynamic vocal-like quality to his fast playing while keeping the amp-driven tone as the core of Ratt's signature sound.

Ibanez Tube Screamer TS9
Pedal

Ibanez Tube Screamer TS9

The Tube Screamer served as DeMartini's lead boost, pushing the Marshall's front end to cut through Crosby's rhythm parts while maintaining the natural tube saturation that defined Ratt's raw, powerful '80s hard rock tone.

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