Practice Studio

Quiet Riot - Come on Feel the Noize - Guitar Tab

Sections · Loop · Speed · Metronome

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SECTIONS

Select a Loop

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End of your loop

Speed Control

Speed
100%

Tools

BPM
Key E major
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Quiet Riot Heavy Metal E major
Capo Advisor 0 E major · Original key

About Come on Feel the Noize


At 120 BPM in Eb Standard tuning, "Come on Feel the Noize" sits in a sweet spot where the tempo is comfortable but the energy demands that every power chord lands with conviction. The song is built almost entirely on driving, down-stroked power chords, so your picking-hand endurance and consistency of attack are what actually get tested over a full playthrough. Because the tuning drops everything a half-step down to Eb, you get a slightly heavier, looser feel on the strings, which is part of the reason the riff sounds so thick. Quiet Riot recorded this as a cover of the Slade original, but they pushed the arrangement into pure Heavy Metal territory with a wall-of-guitars production. The chord transitions in the verses are straightforward, but keeping your rhythm tight through the chorus at full volume is where players tend to slip. Use the Practice Toolbar to loop that chorus riff slowed down until the down-strokes feel locked in before bringing it back up to tempo.

  • The song is played in Eb Standard tuning, dropping every string a half-step down, which adds low-end weight to the power chord riff.
  • At 120 BPM the rhythm part relies heavily on consistent down-stroked power chords, making right-hand endurance a key thing to develop.
  • The chorus riff repeats with little variation, so drilling it cleanly with the Practice Toolbar slowed down will lock in the feel quickly.

How to Play Come on Feel the Noize

The song moves through: Intro, Verse, Chorus, Solo, Outro.

Tuning: Eb Standard · Key: E major · Tempo: 120 BPM · Difficulty: Medium

It is played in Eb standard, a half step down, so tune down before you start or every position and bend will sit a half step sharp against the recording. Once the main sections feel solid, isolate the solo, which is usually the steepest jump.

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Cavazo deployed the Les Paul's thick mahogany body for fatter, more compressed rhythm tones, especially in later Quiet Riot years. The guitar's natural warmth complemented his Marshall's high-gain saturation while keeping palm-muted chugs aggressive and defined.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

The Les Paul Custom provided Cavazo with an alternative to his Jackson superstrats, delivering the same compressed midrange and sustain needed for Quiet Riot's metal crunch. Its heavier construction added body to power chords while maintaining clarity through the Marshall's scooped-mid voicing.

Marshall JCM800
Amp

Marshall JCM800

The JCM800 was the sonic foundation of Quiet Riot, with Cavazo pushing it hard for natural tube saturation that defined '80s metal rhythm and lead tones. His gain-heavy settings achieved singing sustain on solos while preserving definition in palm-muted power chords.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Cavazo's signature Cry Baby wah added a vocal, sweeping character to his pentatonic soloing, becoming a defining element of Quiet Riot's flashy lead sound. The pedal's responsiveness enhanced his blues-based phrasing within the band's heavy metal framework.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)