Practice Studio

Queen - I Want It , and - Guitar Solo Tab

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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Antennas album cover
Antennas
2025 3:50

About I Want It , and


Brian May wrote "I Want It All," and his fingerprints are all over the guitar work: a driving, anthemic riff in E Standard that sits comfortably at 104 BPM but demands real authority in the picking hand to get that punchy, slightly overdriven tone right. The main riff is deceptively straightforward, but the articulation, how hard you dig in and where you let notes breathe, is what separates a flat run-through from something that feels like the record. May's solo section is where things get genuinely demanding, combining melodic phrasing with fast legato runs that need clean left-hand technique. Use the Practice Toolbar to loop the solo passage slowed down until every note speaks clearly before bringing it back up to tempo. Queen arrangements also layer rhythm and lead in ways that reward studying each part separately. As a piece of Pop Rock, it sits on the harder end of the spectrum, so expect to spend real time on the transitions between the verse riff and the chorus.

  • The song runs at 104 BPM in E Standard tuning, making it a solid tempo challenge for locking in the rhythmic drive of the main riff.
  • Brian May's signature tone here leans on a light overdrive with strong picking dynamics, so focus on right-hand attack rather than relying on gain.
  • The guitar solo combines melodic bends and fast legato runs, and looping it slowed down in the Practice Toolbar is the most effective way to clean it up.

How to Play I Want It , and

The song moves through: video intro, intro full speed, intro 50 %, 1st solo full speed, 1st solo 60 %, outro full speed, outro 60 %.

Tuning: E Standard · Tempo: 104 BPM

The arrangement runs through 7 distinct sections, and the solo is the steepest jump, so isolate it on its own.

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 104 BPM to build it up to tempo.

Vox AC30
Amp

Vox AC30

Brian May stacks Vox AC30s cranked to full volume, letting natural tube breakup and the Top Boost channel create the chimey, harmonically rich overdrive that defines Queen's sound. Driven hard by a treble booster rather than pedal distortion, these amps deliver the compressed, singing tone central to May's signature style.

Boss DD-3 Digital Delay
Pedal

Boss DD-3 Digital Delay

May uses digital delay as a live equivalent to the tape echo (Echoplex) he favored in the studio, adding subtle spatial depth to his solos without cluttering his famously minimal effects chain. The DD-3 provides clean, repeating echoes that complement his vocal-like tone without compromising the directness of his treble booster-driven AC30 sound.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)