Practice Studio

Pink Floyd - Shine On You Crazy Diamond part III - Guitar Solo Tab

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Speed
100%

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BPM
Key G minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Capo Advisor 0 G minor · Original key

About Shine On You Crazy Diamond part III


Few guitar parts carry as much weight as the opening melody of "Shine On You Crazy Diamond," where David Gilmour's unhurried, sustain-heavy phrasing in G minor sets the tone for the entire nine-part suite. Part III sits within a Pink Floyd piece that demands restraint above all else: every note needs room to breathe, and rushing even slightly collapses the emotional space Gilmour so carefully builds. The bends here are slow and deliberate, requiring a confident fretting hand that can push a note up and hold it steady at pitch without wavering. Playing along at the full 120 BPM can feel deceptively easy until you try to match Gilmour's tone and phrasing exactly, at which point the subtleties of his vibrato and his behind-the-beat timing become very apparent. Use the Practice Toolbar to isolate any phrase that feels unsteady and loop it slowed down, focusing on the arc of each bend before worrying about the overall flow. This is Progressive Rock playing at its most expressive, where technique serves feeling rather than the other way around.

  • The solo and melodic lines sit in G minor, so knowing the G minor pentatonic and natural minor scale across the whole neck is essential before tackling this part.
  • Gilmour's tone relies heavily on sustain and a smooth, slow vibrato, so practicing your vibrato width and consistency will pay off more than working on speed.
  • E Standard tuning is used throughout, but achieving the right feel requires a light touch on bends and careful attention to how long you let each note ring.

How to Play Shine On You Crazy Diamond part III

Tuning: E Standard · Key: G minor · Tempo: 120 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

Gilmour's 1969 Black Strat is his primary instrument, offering glassy neck pickup tones perfect for his singing bends and the warm, rounded character that defines Pink Floyd's melodic solos without harsh brightness.

Fender Telecaster
Guitar

Fender Telecaster

This workhorse guitar provided Gilmour with a brighter, more cutting tone for rhythm work and alternative textures, offering the snap and clarity needed for Pink Floyd's diverse sonic palette across studio and live performances.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Gilmour's 1955 Les Paul Goldtop, fitted with original P-90 pickups, delivers the thick, gritty midrange essential for iconic solos like Comfortably Numb's outro, providing tonal weight and sustain that Strats cannot match.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

Though less documented than the Goldtop, this model would offer similar thick, sustained tones with enhanced versatility through multiple pickup switching, supporting Gilmour's need for varied textures within complex Pink Floyd arrangements.

Fender Twin Reverb
Amp

Fender Twin Reverb

Gilmour used Twin Reverbs for their exceptional clean headroom and built-in reverb, creating spacious, shimmering textures that complement his delay-heavy effects chain and define Pink Floyd's atmospheric, three-dimensional soundscapes.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

The Cry Baby opens Gilmour's effects chain, allowing expressive vocal-like phrasing on solos, integral to Pink Floyd's emotional delivery and creating dynamic dynamic tonal sweeps that enhance the band's psychedelic and progressive character.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)